Linguo-cultural Nature of the Concept “Native Land” in the Early Poetry of V. Stus

T. Vilchynska
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Abstract

The article is devoted to the study of the linguo-mental nature of the concept “native land” in the early poetic work of the well-known Ukrainian writer of the sixties V. Stus. The topicality of the theme, on the one hand, is determined by the linguo-conceptual and linguo- cultural approaches that are the key to understanding the cultural values of the people and make it possible to stratify the linguistic and cultural nature of individual concepts at different stages of language development and to establish the specifics of the linguistic personality, and, on the other, the research interest in the poetic heritage of V. Stus, an artist who became personification of his time. The collection “Winter Trees” was the material of the study, which presents an early, but important period of creativity of the poet, that remains little studied. The purpose of the article was to determine the linguo-cultural nature of the concept “native land”. The analysis showed the cognitive diversity of the concept, which is manifested by the branched system of verbalizers, including land, earth, Ukraine, state, etc., and its semantic-axiological characteristics. It is established that the artistic concept “native land” in Stus’s poetic texts is polysemantic and ambivalent, and its verbalisation demonstrated not only the general and ethnocultural understanding of the corresponding conceptualized image, but also the peculiarities of the author’s worldview. The presented research is actual as it activates scientific interest in other linguo-mental notions and not only in the work of V. Stus, which makes it possible to get deeper into the phenomenon of the Ukrainian linguistic personality.
斯都早期诗歌中“故土”概念的语言文化本质
本文致力于研究60年代乌克兰著名作家V. Stus早期诗歌作品中“祖国”概念的语言心理本质。主题的话题性一方面是由语言-概念和语言-文化方法决定的,这些方法是理解人们文化价值的关键,使人们有可能在语言发展的不同阶段对个人概念的语言和文化性质进行分层,并建立语言个性的具体特征,另一方面是对斯塔斯诗歌遗产的研究兴趣。成为他那个时代的化身的艺术家。《冬树集》是这一研究的素材,它呈现了诗人早期创作的一个重要时期,这一时期的研究很少。这篇文章的目的是确定“本土”这个概念的语言文化性质。分析表明,这一概念的认知多样性及其语义价值论特征,主要表现为语用者的分支系统,包括土地、地球、乌克兰、国家等。本文认为,斯图斯诗歌文本中的“故土”这一艺术概念具有多义性和矛盾性,其语言化既体现了对相应概念化意象的一般理解和民族文化理解,也体现了作者世界观的独特性。所提出的研究是实际的,因为它激发了对其他语言学概念的科学兴趣,而不仅仅是在V. Stus的工作中,这使得更深入地了解乌克兰语言人格现象成为可能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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