Acceptance of War Tanka and Japanese History Awareness

Jiyoung Park
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Abstract

This study discusses the pattern in which war memories by Tanka poem relate to the public's history awareness. As a result of comparing of Showa Manyoshu with the exhibition contents of Yushkan and ShowaKan, it is found out that the composition of the editing is divided like a gallery in the memorial, and each Tanka was arranged by case to produce historical narratives. Tanka is directly used as an exhibition historical material for the memorial. Yushkan analyzes that Waka representing ‘Yamatogokoro’ and the Tanka of the fallen soldiers were exhibited to induce empathy of visitors. Meanwhile, Chiran Peace Museum gives meaning to the Last Tanka of the tokkō pilots as a message of peace for Japan's future. It says that Tanka is accepted in the logic of these memorial and produces history awareness associated with emotions.
战争探歌的接受与日本历史意识
本研究探讨唐卡诗的战争记忆与大众历史意识的关系模式。通过将《昭和万年书》与《游庵》、《昭庵》的展览内容进行比较,发现编著的构成就像纪念馆里的画廊一样被分割开来,每幅唐卡都被按案例排列,以产生历史叙事。唐卡直接用作纪念馆的展览史料。Yushkan分析说,展示代表“山城”的和纹和代表阵亡士兵的Tanka是为了引起游客的共鸣。与此同时,千里岛和平博物馆将“最后的唐卡”作为日本未来的和平信息赋予了意义。它说,唐卡在这些纪念的逻辑中被接受,并产生与情感相关的历史意识。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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