THE PENINSULAR MAYA’S UNFINISHED SPIRITUAL CONQUEST

L. Williams-Beck
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Abstract

Do Maya sacred artistic manifestations in sixteenth to eighteenth-century Franciscan convents, churches, and chapels reflect native ideological persistence, a Maya and Christian amalgamation, or a European Catholic subsumed spiritual meld? This study explores the sculptural and painted expressions that adorn Colonial religious architecture found in the Yucatan Peninsula. Ethnohistoric sources, historic documents, physical geographical location, and spatial layout for these buildings, their sculptural programs and mural painting iconographic motifs, and spiritual spaces surrounding those edifices erected by natives subsequent to European contact, conquest, and colonization provide a more complete basis from which to address such philosophical and anthropological concepts of religious permanence, syncretism, and/or fusion. These particular evidentiary aspects assess Maya sacred built space environments found in the Cehpech, Cochuah, Cupul, and Tases provinces prior to European contact and conquest. This paper will focus on twospecific areas: the municipal seat church and convent complex in one autonomous political jurisdiction near the Spanish viceregal administrative seat in Mérida, and will then compare/contrast those area-specific religious representations with built spaces and interior/exterior embellishments near the Spanish viceregal enclave at Valladolid, Yucatan, as well as in other indigenous community visita churches under this and Tizimin’s Missions ecclesiastical jurisdiction in the northeastern rural peninsular Maya hinterlands. Combined data sets from both regions suggest a more autonomously derived divine substrate to characterize viceroyalty period Maya religious practice, rather than a Roman Catholic and Maya syncretism or Catholic synthesis of autonomous ideological philosophy, and point to an unfinished evangelical conquest that flew under the ecclesiastical and Spanish administrative radar at that time. In some select cases these same hallowed essence and practices continue to present. Those spiritual expressions that embellish built environments with autonomous religious undercurrents also help to explain the repeated yet unsuccessful Franciscan endeavors to ultimately quash idolatry in the peninsular region.
玛雅半岛未完成的精神征服
16至18世纪方济各会修道院、教堂和礼拜堂的玛雅神圣艺术表现是否反映了当地意识形态的坚持,是玛雅和基督教的融合,还是欧洲天主教的精神融合?本研究探讨了在尤卡坦半岛发现的装饰殖民宗教建筑的雕塑和绘画表达。这些建筑的民族历史来源、历史文献、自然地理位置和空间布局、它们的雕塑项目和壁画图像主题,以及围绕这些建筑的精神空间,这些建筑是由欧洲人接触、征服和殖民后的当地人建造的,为解决宗教永恒、融合和/或融合等哲学和人类学概念提供了更完整的基础。这些特殊的证据方面评估了在欧洲接触和征服之前,在切赫、科丘亚、库普尔和塔斯省发现的玛雅神圣建筑空间环境。本文将侧重于两个具体领域:在西班牙总督行政所在地附近的一个自治政治管辖区内的市政教堂和修道院建筑群,然后将这些特定地区的宗教代表与尤卡坦半岛巴利亚多利德西班牙总督飞地附近的建筑空间和内部/外部装饰进行比较/对比,以及其他土著社区的访问教堂,在这个和Tizimin的传教会的教会管辖下,在东北农村半岛玛雅腹地。来自这两个地区的综合数据集表明,在总督统治时期,玛雅宗教实践的特征是一种更自主衍生的神圣基础,而不是罗马天主教和玛雅的融合,也不是天主教对自主意识形态哲学的综合,这表明,在当时的教会和西班牙行政雷达下,福音派的征服尚未完成。在某些特定的情况下,这些同样神圣的本质和做法继续存在。这些用自主的宗教暗流点缀建筑环境的精神表达,也有助于解释方济各会不断努力,但最终未能在半岛地区消除偶像崇拜。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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