{"title":"Aural Textiles: Beyond Visual Pattern Making","authors":"Lynne Mennie, George S. Jaramillo","doi":"10.1080/20511787.2018.1522077","DOIUrl":null,"url":null,"abstract":"Abstract Co-creation describes a process of bringing customer and creator together to produce items of mutual value, allowing the design aspect of production to sit between customer and creator. A major step-change enabling such a process is the ability to link consumer design inspiration with pattern creation software linked to manufacturing equipment. One aspect of supporting such a process includes fashioning tractable methods to collect and manipulate \"design inspiration\" that a customer can input into and that are amenable to the application of computer-based production. Here we describe research in progress exploring the use of \"data-driven designs\" that challenge the existing visual bias of textile design, using the Scottish context as an example; and offer up a process by which these explorations can be transformed towards a customer-creator model: transforming bioacoustics data recorded from the soundscape into woven, knitted, printed or embroidered textiles.","PeriodicalId":275893,"journal":{"name":"Journal of Textile Design Research and Practice","volume":"38 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Textile Design Research and Practice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20511787.2018.1522077","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
Abstract Co-creation describes a process of bringing customer and creator together to produce items of mutual value, allowing the design aspect of production to sit between customer and creator. A major step-change enabling such a process is the ability to link consumer design inspiration with pattern creation software linked to manufacturing equipment. One aspect of supporting such a process includes fashioning tractable methods to collect and manipulate "design inspiration" that a customer can input into and that are amenable to the application of computer-based production. Here we describe research in progress exploring the use of "data-driven designs" that challenge the existing visual bias of textile design, using the Scottish context as an example; and offer up a process by which these explorations can be transformed towards a customer-creator model: transforming bioacoustics data recorded from the soundscape into woven, knitted, printed or embroidered textiles.