CULTURAL STEREOTYPES IN POLISH JOKES

M. Zhuikova, Olena Kotys
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Abstract

The article presents results of textological research based on Polish humor. The jokes feature music-related topics (approx. 400 jokes were analyzed). The general peculiarity of such jokes is richness of hyperbole that is used to display characteristics of musicians and the instruments they play. Constant attention to these characteristics creates some certain cultural stereotypes that are transmitted through short funny texts that are easy to remember and pass on in the society. For instance, viola players are rather popular characters of Polish jokes. However, they are usually presented as individuals whose performance cannot be referred to as professional: they play out of tune, if they play in an orchestra, they lag behind the rhythm, they can not tune their instrument properly and what they play is not music, but some noise. There are jokes that depict characteristics of specific groups of musicians as narrow-minded and not well-educated people (for instance, village musicians who usually play at wedding parties, think they could play in a philharmonic orchestra). However, not all the jokes include negative stereotypes: some characters evoke sympathy and even admiration: one of the jokes portrays a jazz musician who does not earn money by performing; on the contrary, they invest in music. Such a musician is devoted to their art and is ready to make financial sacrifice to promote their music. Our analysis has proved that Polish music jokes are based on rich musical background and require readers/listeners to have considerable amount of such knowledge. Moreover, in the process of understanding and interpretation of these texts a recipient has to undergo series of cognitive procedures (to understand the desirable implication, to quickly single out the characteristic feature of an object that usually takes marginal position in a concept structure, etc.).
波兰笑话中的文化刻板印象
本文介绍了基于波兰幽默的考据学研究成果。这些笑话以音乐相关的话题为特色。分析了400个笑话)。这些笑话的一般特点是丰富的夸张,用来展示音乐家和他们演奏的乐器的特点。对这些特征的持续关注创造了一些特定的文化刻板印象,这些刻板印象通过简短有趣的文本传播,这些文本易于记忆并在社会中传播。例如,中提琴手是波兰笑话中相当受欢迎的角色。然而,他们通常被视为个人,他们的表演不能被称为专业:他们演奏走调,如果他们在管弦乐队演奏,他们落后于节奏,他们不能正确调整他们的乐器,他们演奏的不是音乐,而是一些噪音。有一些笑话把特定的音乐家群体描绘成心胸狭窄、没有受过良好教育的人(例如,通常在婚礼上演奏的乡村音乐家,认为他们可以在爱乐乐团演奏)。然而,并不是所有的笑话都包含了负面的刻板印象:一些角色引起了同情甚至钦佩:其中一个笑话描绘了一个不通过表演赚钱的爵士音乐家;相反,他们投资音乐。这样的音乐家致力于他们的艺术,并准备做出经济上的牺牲来推广他们的音乐。我们的分析证明波兰音乐笑话是基于丰富的音乐背景,需要读者/听众有相当多的这方面的知识。此外,接受者在理解和解读这些文本的过程中,还需要经历一系列的认知过程(理解理想的含义,快速挑选出通常在概念结构中处于边缘位置的对象的特征特征等)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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