Hermeneutic Approach in Drama Learning: Study of the Case Kereta Kencana (Les Chaises)

N. Zaidah, M. Jazuli, Dharsono, Sunarto
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Abstract

Hermeneutic is considered as phenomenology design and existential understanding of art is no longer contextually centred. It is more on how the interpretation of art is evolves from a simple description of texts to a more concrete work of arts. Hermeneutic can be adopted to dissect the meaning of cultural symbols. In the learning of drama, structure and textures are inseparable, thus to comprehend the underlying meaning and content of drama, comprehensive steps are required to understand the symbols of arts in drama performance. The performance was not described in details in relation to settings and stage properties. Therefore, the strength of the characters in embodying the texts, dialogue, and lightning became essential in shaping the understanding of what happened to the montage. As a source of drama learning, Kereta Kencana presented the wholeness, unity, and the nuance of the audience to the level of catharsis.
戏剧学习中的解释学方法——以《凯莱塔·肯卡纳》为例
解释学被认为是现象学,设计和存在主义对艺术的理解不再以语境为中心。它更多的是关于艺术的解释如何从简单的文本描述演变为更具体的艺术作品。解释学可以用来剖析文化符号的意义。在戏剧学习中,结构和肌理是不可分割的,因此要理解戏剧的深层意义和内容,就需要综合步骤地理解戏剧表演中的艺术符号。这次演出没有详细描述背景和舞台属性。因此,人物在体现文本、对话和闪电方面的力量,对于理解蒙太奇发生了什么变得至关重要。作为戏剧学习的源泉,Kereta Kencana将观众的整体性、统一性和细微差别呈现到宣泄的程度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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