JOURNALISTIC MESSAGES IN VICTOR HUGO’S EPIC NOVEL “LES MISERABLES”

Z. Rodchyn
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Abstract

of Interior Design and Interiors in Literature from the Early Modern Period to the Present ]. Petersberg: Michael Imhof Verlag. [in German] 10. Höhne C. (2015). Victor Hugo: Ein Feind der offenen Gesellschaft?: Eine Interpretation von Napoléon-le-Petit und Les Châtiments auf Basis der Historizismus-Kritik Karl Poppers. [Victor Hugo: An enemy of the open society?: An interpretation of Napoléon-le-Petit and Les Châtiments based on Karl Popper’s criticism of historicism.]. Münster: Münster Verlagshaus Monsenstein und Vannerdat OHG. [in German] The article offers the epic novel “Les Miserables” overview by the French literature classic Victor Hugo in social and political journalism terms. It is emphasized that the writer had the opportunity to see the changes in society with his own eyes, participated in several revolutions, expressed his own views on government in the country, sometimes resorting to devastating criticism not only in speeches but also in works. At the same time, it is highlighted that the writer raised all the society flaws, shortcomings and problems, glorifying the people as one of its components and giving the latter extraordinary strength in the struggle for freedom. The social issues and historical background on which the novel events are formed were analyzed based on the narrative elements in “Les Miserables”. Journalistic narrative methods are clearly distinguished, in particular reporting and detailing descriptions. The writer’s objectivity and detachment from the events depicted in the work are emphasized. However, the emphasis is on the personal artist experience, against which the main trends in the work are formed. There are substantiated Victor Hugo’s attempts to not only reproduce historical events and the social background as accurately as possible, but also to convey the human-society relations’ “true nature”. It is proved that Victor Hugo used historical references, terminological dictionaries and maps to more constructively display locations and convey the real people’ “speech”. It is also noticeable that the writer adds to his account many uprisings events facts of 1832 in France, while directing the recipient's thoughts to spiritual issues. It is emphasized that by transforming being in a work according to the good laws, the writer calls for the real world transformation according to the same principles. From the journalism view point the epic novel research enable further investigations into it in order to prove its relevance against the background modern events, use it as a masses' basic awakening consciousness element and address the historical revolutions and uprisings issue. The main work ideas are based on such concepts as progress, justice, for which, to some extent, the battle continues today.
雨果史诗小说《悲惨世界》中的新闻信息
从现代早期到现在的室内设计和室内文学]。彼得伯格:迈克尔·伊姆霍夫·弗拉格。[德语]10;Höhne C.(2015)。维克多·雨果:在寻找冒犯的人的过程中?:《历史主义基础下的拿破仑-波普尔斯与他的命运》。维克多·雨果:开放社会的敌人?:从波普尔对历史决定论的批判看《纳波塞姆-勒-珀蒂》和《苦难》[j]。主治医师:主治医师: Verlagshaus Monsenstein和Vannerdat OHG。这篇文章从社会和政治新闻的角度概述了法国文学经典维克多·雨果的史诗小说《悲惨世界》。强调作者有机会亲眼看到社会的变化,参加了几次革命,表达了自己对国家政府的看法,有时不仅在演讲中,而且在作品中采取了毁灭性的批评。同时,强调作者提出了社会的种种缺陷、缺点和问题,将人民美化为社会的一个组成部分,赋予了人民争取自由的非凡力量。结合《悲惨世界》的叙事元素,分析小说事件形成的社会问题和历史背景。新闻叙事方法有明显的区别,尤其是报道和细节描述。作者在作品中所描绘的事件的客观性和超然性得到了强调。然而,强调的是艺术家的个人经验,在此基础上形成了作品的主要趋势。维克多·雨果既要尽可能准确地再现历史事件和社会背景,又要传达人与社会关系的“本真”,这是有根据的。事实证明,维克多·雨果使用历史参考、术语词典和地图,更有建设性地展示地点,传达真实人物的“言语”。同样值得注意的是,作者在叙述中加入了许多1832年法国的起义事件,同时将读者的思想引向精神问题。作者通过按照善的规律改造作品中的人,号召人们按照同样的原则改造现实世界。从新闻学的角度对史诗小说进行深入的研究,以证明其在现代事件背景下的相关性,将其作为群众觉醒意识的基本要素,并解决历史革命和起义问题。主要的工作思想是建立在进步、正义等概念的基础上的,在某种程度上,为这些概念而斗争至今仍在继续。
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