Framing Disability in Fashion

J. Foster
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引用次数: 2

Abstract

The fashion industry has long neglected people with disabilities, opting instead for a cast of uniformly slender and (overwhelmingly) White models. But recent efforts toward diversity and inclusion suggest that change may be underway. This chapter examines these changes with a focus on fashion media published online. Specifically, this chapter looks to a collection of 50 editorial articles published by Teen Vogue between 2018 and 2020 to determine how disability is framed for consumers. It does this within a broader discussion on the cultural logics and industry conventions that shape the production of fashion content. The findings reported here suggest that online fashion media may hold unique opportunities for diversity and inclusion, with stories and images that cast disability in new and less narrow terms than have been previously reported. These include terms related to the importance of representation across cultural industries and stories that center disability rights in focus. Moving forward, more work is needed to ensure that this representation carriers forward in cultural productions within and outside of the fashion industry.
在时尚中塑造残疾
时尚界长期以来一直忽视残疾人,而是选择了统一的苗条和(绝大多数)白人模特。但最近在多元化和包容性方面的努力表明,变化可能正在发生。本章以在线发布的时尚媒体为重点考察这些变化。具体来说,本章着眼于《Teen Vogue》在2018年至2020年期间发表的50篇社论文章,以确定残疾是如何被消费者理解的。它是在对塑造时尚内容生产的文化逻辑和行业惯例的更广泛讨论中做到这一点的。这里报告的研究结果表明,在线时尚媒体可能为多样性和包容性提供了独特的机会,与之前的报道相比,它们的故事和图像以新的、不那么狭隘的方式描述了残疾。其中包括与跨文化产业和以残疾人权利为中心的故事中代表性的重要性相关的术语。展望未来,我们需要做更多的工作,以确保这种代表性在时尚产业内外的文化产品中得到传播。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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