Representations of servicewomen by the Ukrainian media during the Russo-Ukrainian war

T. Khraban, K. O. Samoilenko
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Abstract

The study aims to propose a typology of servicewomen’s images promoted by the Ukrainian media during the Russo-Ukrainian war. Qualitative content analysis was used as a research method. The study was based on 50 articles about women in the Armed Forces of Ukraine published between November 2020 and May 2023. The timeframe was chosen given the event that marked the strengthening of the Ukrainian government’s course to the further development and promotion of gender equality in the Armed Forces of Ukraine, namely the ratification of the National Action Plan for Resolution 1325 – “Women, Peace and Security” for the period up to 2025. The articles were selected based on several keywords: women, the Armed Forces of Ukraine, women in the military, and gender equality. The Russo-Ukrainian war has given rise to the promotion of various images of female soldiers in the media. The media offers its audience two types of servicewomen images: 1) a conservative image based on the stereotypical perceptions of women; 2) a counter-stereotypical image that rejects clichés and destroys gender stereotypes. The conservative typification of images of servicewomen, as a demonstration of society’s concern about women performing combat missions that contradict traditional ideas of masculinity and femininity, not only reinforces the idea of traditional stereotypical roles of women but also challenges the prospects of participation of women in combat. The multifaceted gender stereotypical images – “Beauty in uniform”, “Model for a glossy magazine”, “First of all a Woman”, “Beloved Woman”, and “Mother” – are permeated by benevolent sexism against women, which has three components: paternalism, gender differentiation, and heterosexual intimacy. The image “Person with special domestic needs” focuses on physiological processes related to the female reproductive system. This content of the image conveys the assumption that women can face an uncomfortable situation when it is challenging to perform the necessary hygienic measures, and this can hinder them from being in the war zone. The counter-stereotypical typification manifested in the “Professional Soldier” and “Rebel” images contribute to overcoming stereotypical perceptions and shaping a society where women have equal rights and opportunities to realize these rights. Creating the “Professional Soldier” image, the media assume that the main prerequisite for a professional warrior is not gender but professional competencies. The “Rebel” image of a servicewoman represents a new generation of women who openly declare their right to be whatever they want and join the military to eliminate the “weaker sex” stereotype. The emphasis on masculinity in the “Rebel” image indicates that, despite the increase in women, the media still perceives the army as a masculine organization. Both conservative-stereotypical and counter-stereotypical images, such as “Sexual Object” and “Lesbian”, can be created for purely commercial interests or as a marketing ploy to attract the audience.
俄乌战争期间乌克兰媒体对女兵的描述
本研究旨在提出俄乌战争期间乌克兰媒体所宣传的女兵形象的类型学。采用定性含量分析作为研究方法。这项研究基于2020年11月至2023年5月期间发表的50篇关于乌克兰武装部队中女性的文章。之所以选择这一时间框架,是因为乌克兰政府加强了进一步发展和促进乌克兰武装部队性别平等的进程,即批准了第1325号决议“妇女、和平与安全”至2025年的国家行动计划。这些文章是根据几个关键词选出的:妇女、乌克兰武装部队、军队中的妇女和性别平等。俄乌战争引发了媒体对各种女兵形象的宣传。媒体向受众提供了两种类型的女兵形象:1)基于对女性刻板印象的保守形象;2)反刻板印象,拒绝陈词滥调,破坏性别刻板印象。女兵形象的保守类型化,表明了社会对女性执行战斗任务的关注,这与传统的男性气质和女性气质观念相矛盾,不仅强化了传统的女性刻板角色观念,而且也挑战了女性参与战斗的前景。“穿制服的美女”、“光鲜杂志的模特”、“首先是女人”、“心爱的女人”和“母亲”等多方面的性别刻板印象充斥着对妇女的仁慈的性别歧视,这种歧视有三个组成部分:家长制、性别分化和异性恋亲密关系。“有特殊家庭需要的人”这一形象关注的是与女性生殖系统相关的生理过程。这张照片的内容传达了这样一种假设,即当女性很难采取必要的卫生措施时,她们可能会面临一种不舒服的情况,这可能会阻碍她们进入战区。“职业军人”和“叛逆者”形象所体现的反刻板印象有助于克服刻板印象,塑造一个妇女享有平等权利和实现这些权利的机会的社会。媒体塑造了“职业战士”的形象,认为职业战士的主要先决条件不是性别,而是专业能力。女兵的“叛逆”形象代表了新一代女性,她们公开宣称自己有权做任何想做的事,并加入军队,以消除“弱势性别”的刻板印象。“反叛”形象中对男子气概的强调表明,尽管女性人数有所增加,但媒体仍然认为军队是一个男性化的组织。无论是保守刻板印象还是反刻板印象,如“性对象”和“女同性恋”,都可以纯粹出于商业利益或作为吸引观众的营销策略而创造。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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