CREATIVITY OF SPIRIDON MIKHAILOV (YANDUSH) AND THE WORLDVIEW OF THE CHUVASH ETHNOS IN THE MIDDLE OF THE XIX CENTURY

Vitaliy G. Rodionov
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Abstract

The worldview of the Chuvash ethnos is a person’s idea of the world formed on the basis of ethnic constants and cultural-value dominants. Being specific to each culture, it created the illusion of objectivity in its bearers. The Chuvash worldview is different in different periods of the ethnos’ life, but thanks to ethnic constants, their structure remains the same at its base. In the Chuvash mythological pantheon of the XVIII century, the main images of the patronizing forces were the God who dwells in heaven and the king who dwells on earth, and the images of the opposing forces were earthly evil spirits and churchmen who moved to the Chuvash villages. In the XIX century, this image changes: a mythological character Pulekhse approached the God, who transformed into the image that has the ability to harm a person, and not bring God-appointed good to him. Such transformations in the mythological pantheon occurred due to a change in the image of the enemy in the socio-cultural space of the Chuvash world. All these processes are well reflected in the scientific works and works of Spiridon Mikhailov (Yandush).
十九世纪中叶斯皮里顿·米哈伊洛夫(扬杜什)的创造力与楚瓦什民族的世界观
楚瓦什族的世界观是一个人对世界的看法,这种看法是建立在民族常数和文化价值主导地位的基础上的。由于每一种文化都是特定的,它在其持有者身上制造了一种客观的错觉。楚瓦什人的世界观在民族生活的不同时期是不同的,但由于民族的不变,他们的结构在其基础上保持不变。在18世纪的丘瓦什神话万神殿中,主使力量的主要形象是居住在天上的上帝和居住在地上的国王,而反对力量的形象是世俗的邪灵和搬到丘瓦什村庄的牧师。在十九世纪,这个形象发生了变化:一个神话人物普莱赫塞接近上帝,他变成了一个有能力伤害一个人的形象,而不是给他带来上帝指定的好处。这种神话万神殿的转变是由于楚瓦什世界社会文化空间中敌人形象的变化而发生的。所有这些过程都很好地反映在科学著作和Spiridon Mikhailov (Yandush)的作品中。
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