From Obsessive Metaphors to the Crystallization of the Personal Myth in Yourcenar’s Work

Safaa Rifki, Ilias Zellou, Nadia Bouqallal
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Abstract

We easily notice the hegemony of the theme of solitude in Yourcenar's work. This theme constitutes an inherent characteristic of life itself and is established as an essential condition of mankind. Indeed, one can only assert their freedom after isolating themselves and distancing themselves from the world. Whether these characters are bastards, orphans, abandoned children, or from noble families, their solitary nature is a constant from their childhood. This search for solitude is a common trait among the protagonists, which brings them together despite belonging to different eras and having roots in distinct cultures and languages. The inherent solitude of these characters appears as an essential value of the human being, and what is initially perceived as a lack is quickly embraced, even sought after, as an accomplishment. The treatment of the theme of solitude in Yourcenar's work is done through the use of analogical figures such as metaphors (coreferential, appositive, attributive, adjectival, verbal, and in determinative framework, etc.) and comparisons.
从强迫性隐喻到尤瑟纳尔作品中个人神话的结晶
我们很容易注意到尤瑟纳尔作品中孤独主题的霸权。这一主题构成了生活本身的固有特征,并被确立为人类的基本条件。事实上,只有把自己孤立起来,与世界保持距离,才能维护自己的自由。无论这些角色是私生子、孤儿、被遗弃的孩子,还是来自贵族家庭,他们孤独的本性从童年起就一直存在。这种对孤独的追求是主人公们的共同特征,尽管他们属于不同的时代,有着不同的文化和语言,但他们还是走到了一起。这些角色固有的孤独似乎是人类的基本价值,最初被认为是缺乏的东西很快就被接受了,甚至被追捧,作为一种成就。在Yourcenar的作品中,对孤独主题的处理是通过使用隐喻(共指、同位语、定语、形容词、动词和决定论框架等)和比较等类比手法来完成的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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