THE MAN IMAGE IN OKAMOTO KANOKO’S FICTION

Olga Khovanchuk, Tatiana Breslavets
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Abstract

The paper is devoted to the peculiarities of the man image in Japanese woman writer Okamoto Kanoko’s fiction. As a rule, the hero-lover (victim) has not the indispensable vitality and innate power. He is sickly or weak-minded. His fragility and passivity are contrasted with heroine’s (vampire) strength and assertiveness. The demonic motif is ubiquitous in Okamoto Kanoko’s stories. In other side, the man image is not a “lover”, but a “son”, which cult was set in her works. In certain cases heroine’s attitude to a hero leads to the erotic conflict.
冈本kanoko小说中的男人形象
本文探讨了日本女作家冈本Kanoko小说中男性形象的独特性。通常,英雄爱人(受害者)并不具有不可缺少的生命力和天生的力量。他体弱多病或意志薄弱。他的脆弱和被动与女主角(吸血鬼)的力量和自信形成鲜明对比。恶魔主题在冈本Kanoko的故事中无处不在。另一方面,男人形象不是一个“情人”,而是一个“儿子”,这是她作品中所设定的崇拜。在某些情况下,女主角对男主角的态度导致了情爱冲突。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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