Musical citizenship as a means to disrupt exclusions: Potentials and limitations as understood in times of a pandemic

Chrysi Kyratsou
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Abstract

This article focuses on the potential of in-group music lessons to foster musical citizenship. It further discusses the relation between musical citizenship and conventional citizenship and shows how musical citizenship reorientates our thoughts towards citizenship, particularly in the light of the recent pandemic. The discussion is based upon reflection on semi-structured interviews conducted during my ethnographic fieldwork research on musicking among refugees sheltering in reception centres. The discussion is framed with approaches to citizenship and musical citizenship. The discussion is structured in three parts. First, I conceptualize my interlocutors’ current ‘in limbo’ status. Second, I show how music learning in-group fosters musical citizenship and helps navigate exclusions. Third, the attention shifts on how music learning was impacted by the way that the lockdown was implemented as a measure to limit the spread of the pandemic, highlighting the inclusivity of ‘musical citizenship’ undermined by (conventional) citizenship and the relevant exclusionary policies.
音乐公民身份作为一种打破排斥的手段:在大流行时期理解的潜力和局限性
这篇文章关注的是团体内音乐课程培养音乐公民的潜力。它进一步讨论了音乐公民权和传统公民权之间的关系,并展示了音乐公民权如何重新定位我们对公民权的看法,特别是考虑到最近的大流行。这一讨论是基于我对在接待中心避难的难民中音乐的民族志田野调查中进行的半结构化访谈的反思。讨论的框架是公民和音乐公民的方法。讨论分为三个部分。首先,我将对话者当前的“不确定”状态概念化。其次,我展示了团体内的音乐学习如何培养音乐公民意识,并帮助克服排斥。第三,人们的注意力转移到音乐学习如何受到作为限制疫情传播的措施实施的封锁方式的影响,突出了被(传统)公民身份和相关排他性政策破坏的“音乐公民”的包容性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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