pied de Sérapis de la sculpture à l’intaille : étude d’un thème isiaque caractéristique

D. Barcat
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引用次数: 0

Abstract

The so-called foot of Serapis sculptures (i.e. those in the round with a bust of Serapis directly on top of a right foot) are well known and studied. Nevertheless, it was still necessary to take into account the representations of this motif in other media, such as gems and coins. And that is precisely the purpose of the present paper. In the following pages, these images are analyzed in the iconographical context of their period (1st and 2nd centuries CE). Such an approach allows us to observe the development of the motif in the different materials. In addition, this analysis will help us better understand the meaning of this image, and also to formulate some theories concerning the possible uses of these gems.
雕刻中的塞拉皮斯脚:一个典型的亚雅克主题的研究
所谓的塞拉皮斯之脚雕塑(即那些将塞拉皮斯的半身像直接放在右脚上的圆形雕塑)是众所周知的,也是人们研究的对象。然而,仍有必要考虑到这一主题在宝石和硬币等其他媒介中的表现。而这正是本文的目的所在。在接下来的几页中,这些图像将在其时期(公元1世纪和2世纪)的图像学背景下进行分析。这种方法使我们能够观察到母题在不同材料中的发展。此外,这一分析将有助于我们更好地理解这幅图像的含义,并制定一些关于这些宝石可能用途的理论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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