The development of circus art in Russia until 2035 in a cultural aspect

Anatolii Andreevich Ganin, T. Bushkova
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Abstract

The role of the circus in the formation of the socio-cultural environment is determined. The aim of the work is to study the circus art in Russia in a cultural aspect. The subject of the study is the culturological aspect of the development of circus art until 2035; an analysis of two models of circus art: domestic and foreign is presented. The tasks and prospects in this area are outlined, the direction of further creative development of the Russian circus system until 2035 should be the creation of qualitatively new circus programs and performances using the capabilities of related arts (theatre, cinema, stage, etc.) and the use of modern technologies. The novelty of the study lies in the definition of the main trends in the development of circus art, the definition of global and domestic trends, a description of their features. The Russian circus industry is less segmented, unlike the Western one, which is distinguished by world-class high-tech shows, traditional circus troupes, circus performers with individual numbers. In Russia, the second segment is part of the circus system due to its demand among children and families. Recommendations are proposed for improving the circus business and its popularization: popularizing the circus as a form of family leisure, improving the human resources base, providing comprehensive support to the circus sector, etc.
马戏艺术在俄罗斯发展到2035年的一个文化方面
马戏在社会文化环境形成中的作用是确定的。本作品旨在从文化的角度研究俄罗斯的马戏艺术。本研究的主题是马戏艺术发展到2035年的文化层面;分析了国内外马戏艺术的两种模式。概述了该领域的任务和前景,到2035年,俄罗斯马戏系统进一步创造性发展的方向应该是利用相关艺术(戏剧,电影,舞台等)的能力和现代技术的使用,创造出高质量的新马戏节目和表演。本研究的新颖之处在于界定了马戏艺术发展的主要趋势,界定了国际和国内的发展趋势,描述了它们的特点。俄罗斯马戏产业的分化程度较低,不像西方的马戏产业那样以世界级的高科技表演、传统的马戏团体、个人编号的马戏表演者为特色。在俄罗斯,由于儿童和家庭的需求,第二部分是马戏系统的一部分。对马戏事业的发展和普及提出了建议:普及马戏作为家庭休闲活动的形式,完善人力资源基础,为马戏行业提供综合支持等。
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