Words for Sale: Early Modern Spanish Women’s Literary Economy

Nieves Baranda
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Abstract

During the early modern period, most Spanish women understood writing as a means of entertainment or selfexpression, but a few seventeenthcentury female writers built a literary career that gave them prestige as well as financial or economic benefits. These women were proactive in the literary field: they wrote works that were of high commercial interest and could be sold to publishers, composed comedies that were purchased by impresarios to be staged in commercial theatres, received commissions from corporations, and wrote to please patrons who rewarded their work. Besides obtaining direct monetary gains, women writers applied the logic of profit: Luisa Sigea (c. 1522– 1560) – like other humanists in the first half of the sixteenth century – worked as Latin teacher or secretary for the Portuguese court. Others used literature for utilitarian reasons to promote themselves, their families or their convents. This chapter shows that although there were fewer of them and that they occupied weaker positions, Spanish women writers were active participants of the literary field like their male peers.
出售文字:早期现代西班牙女性文学经济
在现代早期,大多数西班牙女性将写作理解为娱乐或自我表达的一种手段,但少数17世纪的女性作家建立了自己的文学事业,这不仅给她们带来了金钱或经济利益,也给她们带来了声望。这些女性在文学领域是积极主动的:她们写的作品具有很高的商业价值,可以卖给出版商,创作的喜剧被导演购买,在商业剧院上演,从公司获得佣金,并为取悦那些奖励她们工作的赞助人而写作。除了获得直接的金钱收益,女作家还运用了利益的逻辑:路易莎·西格亚(1522 - 1560)——像16世纪上半叶的其他人文主义者一样——在葡萄牙宫廷担任拉丁语教师或秘书。另一些人则出于功利的原因利用文学来宣传自己、家人或修道院。这一章表明,尽管西班牙女作家人数较少,地位较弱,但她们和男性作家一样,都是文学领域的积极参与者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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