Symbolic systems of biblical hermeneutics in the plane of poetics of works of ancient Ukrainian literature

N. Levchenko
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Abstract

The article is devoted to highlighting and analyzing the main types of symbolic systems of biblical hermeneutics in the structure of poetics of works of ancient Ukrainian prose. The study emphasizes that the canon of interpretation of the Bible long ago assumed the unequivocalness of statements and the infallibility of the understanding of the text, which was specified and commented on within the limits of hermeneutic teaching. Understanding the Bible was complicated by the co-authorship of God and man, the need to decode the sensus plenior in the Holy Scriptures in parallel with the meaning that the human author put into the Bible, different readings of the word-sign, word-allegory or word-symbol as elements of a separate figure of speech, a passage or the entire text. Biblical hermeneutics proposed as one of the means to eliminate uncertain categories of understanding, the concept of unambiguity within the biblical canon. The author made an attempt to use F. de Saussure's structuralist model of the linguistic sign in the inseparable unity of the signifier and the signified as a tool for interpreting biblical texts in the works of Ukrainian baroque literature, as well as the improved triadic system of the sign of Ch. Peirce, where the sign consists of the representamen – the form that the sign takes, and it does not necessarily have to be material, the interpretant, which, regardless of the name, is mostly not an interpretation, but rather a meaning obtained from a sign and gives the sign meaning even in the absence of an interpreter, the object – that which the sign is sent. Ancient exegetes considered the complete content of the Bible, i.e. the coherence of its individual parts and books, to be the indisputable intention of God, which cannot be understood outside the sensus plenior. The controversial reading of certain parts of the text of the Holy Scriptures was supposed to be removed by the introduced four-way biblical hermeneutics.
古代乌克兰文学作品诗学视野中的圣经解释学符号系统
本文着重强调并分析了乌克兰古代散文作品诗学结构中圣经解释学符号系统的主要类型。该研究强调,圣经解释的佳能很久以前就假定陈述的明确性和对文本的理解的无误性,这是在解释学教学的范围内指定和评论的。理解《圣经》变得很复杂,因为上帝和人类共同创作,需要解读《圣经》中至高无上的感觉,同时解读人类作者赋予《圣经》的意义,对词-符号、词-寓言或词-符号的不同解读,作为一种单独的修辞、一段或整篇文章的元素。《圣经》解释学被认为是消除不确定理解范畴的手段之一,即《圣经》正典中的无歧义概念。作者试图使用f·德·索绪尔的结构主义模式语言符号的能指与所指的不可分割的统一作为解释圣经的工具在乌克兰巴洛克文学的作品,以及改善三元的Ch。皮尔斯的符号系统,的迹象包括representamen——的形式符号,它不一定需要材料,interpretant,,不管这个名字,大多不是一种解释,而是一种从符号中获得的意义,即使在没有解释者的情况下,它也赋予了符号意义,即被发送符号的对象。古代的注释家认为圣经的完整内容,即其个别部分和书籍的连贯性,是上帝无可争辩的意图,这是不能理解的感官以外的最高。对圣经文本某些部分的有争议的解读应该被引入的四向圣经解释学所消除。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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