Monuments to 'Genius' in German Classicism

Alfred Neumeyer
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引用次数: 5

Abstract

"J 1 n'est pas d'usage d'dlever en France des monuments aux grands g6n6raux I ou aux hommes c6lkbres; les rois seuls obtiennent cette distinction." These words occur in Patte's Monuments e'rige's en France d la gloire de Louis XV, published in 1765. The polemical phrasing suggests that other countries were not sufficiently rigorous in the assertion of this dynastic privilege. England erected monuments not only to its generals and statesmen but even to its poets; and the English model began to impress the rest of Europe. Ten years after Patte's emphatic pronouncement that a monument ought to be an honour exclusively reserved for kings, we find Anton Wilhelm Gottlieb Becker advocating the opposite view in his pamphlet Vom Costiim an Denkmdlern (1776) :
德国古典主义“天才”纪念碑
“在法国,我最喜欢的是我的用法,我最喜欢的是我的房子,我最喜欢的是我的房子。”“这是一种非常重要的区别。”这些话出现在1765年出版的帕特的《法兰西纪念碑》和《路易十五的荣耀》中。这种充满争议的措辞表明,其他国家在主张这种王朝特权方面不够严格。英国不仅为其将军和政治家建立纪念碑,而且也为其诗人建立纪念碑;英国模式开始给欧洲其他国家留下深刻印象。在Patte强调纪念碑应该是国王专属的荣誉十年之后,我们发现Anton Wilhelm Gottlieb Becker在他的小册子《Vom Costiim and Denkmdlern》(1776)中提倡相反的观点:
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