Cities of Hope and Despair: Shattered expectations in Dattani' s 'Seven steps Around the Fire'

Z. Mehdi, Shravan Kumar
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Abstract

The present paper aims at the portrayal of shattered expectations of the marginalised class. Dattani is a man of fine intellect who prefers to highlight the plight of the oppressed ones. His plays tackle the plays that generally discuss the tabooed subjects efficiently. Dattani’s plays deal with the lives of urban class. The cities of hope turn out to be the disastrous places where the victims only suffer in the hands of the established and powerful people of the society. The paper also intends to portray the arbitrary nature of the oppressor. The plays project the power in full strength over a common man. The target of the paper is to depict the silent social voices that often do their best in the deterioration of the lives of those who come under the scrutiny of the privileged class. The paper however aims at the basic human instinct that hopes for betterment but gets nothing more than humiliation. Dattani shows that education has not improved the basic nature of a man, who has to choose between barbarism and humanity; however he chooses the first one.
希望与绝望的城市:达塔尼《绕火七步》中破碎的期望
本文旨在描绘被边缘化阶层破碎的期望。Dattani是一个很有智慧的人,他喜欢强调被压迫者的困境。他的戏剧巧妙地处理了一般讨论禁忌话题的戏剧。达塔尼的戏剧描写的是城市阶级的生活。希望的城市变成了灾难的地方,在那里,受害者只是在社会中既有权势的人手中受苦。这篇论文还试图描绘压迫者的专断本性。戏剧将权力投射到一个普通人身上。这篇论文的目标是描绘那些在特权阶级的监视下生活恶化的人的沉默的社会声音。然而,本文的目标是人类的基本本能,即希望得到改善,但得到的只是羞辱。Dattani表明,教育并没有改善人的基本本性,人必须在野蛮和人性之间做出选择;然而他选择了第一个。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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