The Image—Or from Whom (Not?) to Buy a Second-Hand Car

D. Jansen
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Abstract

In the summer of 2008 the Rijksmuseum in Amsterdam mounted a small exhibit showing Tintoretto’s portrait of Ottavio Strada da Rosberg, antiquary to the Emperor Rudolf ii, from its own collection [Fig. 0.2], next to Titian’s famous portrait of Jacopo Strada, Ottavio’s father and predecessor as antiquary to the Emperors Ferdinand i, Maximilian ii and Rudolf ii, which had been sent on loan by the Kunsthistorisches Museum in Vienna for the occasion [Fig. 0.1]. An occasion of some moment because it was the first time for at least three hundred and fifty years that these two portraits, which had been painted simultaneously in Venice in 1567–1568, could be seen side by side. Titian’s portrait of Jacopo Strada has always been well known, having entered the Imperial collections already by the middle of the seventeenth
形象——或者从谁那里(不是?)买二手车
2008年夏天,阿姆斯特丹国家博物馆举办了一个小型展览,展出了丁托列托的奥塔维奥·斯特拉达·罗斯伯格的肖像,这是鲁道夫二世皇帝的古董,来自其自己的收藏[图0.2],旁边是提香著名的雅克布·斯特拉达的肖像,奥塔维奥的父亲和前任皇帝费迪南一世、马克西米连二世和鲁道夫二世的古董,这幅肖像是维也纳艺术史博物馆为此租借的[图0.1]。这是一个重要的时刻,因为这是至少三百五十年来第一次看到这两幅1567-1568年间在威尼斯同时绘制的肖像并排在一起。提香的《雅格布·斯特拉达》一直很有名,早在17世纪中期就已进入帝国收藏
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