Crosses to Cullens

Abstract

Although the figure of the vampire in Western culture has undergone significant alterations from the nineteenth century to the modern day in terms of presentation, there has always existed a strain of latent sexual concern in their depictions. In earlier works, this sexuality was couched in a negative light, often incorporating themes of sexual assault, the violation of private spaces and dangerous, ‘tempting’ aspects of sexuality. This article will argue that, although there is continuity between early Gothic vampire fiction and modern vampiric paranormal romance in terms of their connection to sexuality, there has nevertheless been significant evolution in the manner in which that sexuality is approached, as it transforms from sexualised assault to a dangerous romance.