Arts and Crafts of the Medieval Kingdoms of Nubia

Dobrochna Zielińska
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Abstract

After the collapse of the Meroitic Empire, three independent kingdoms arose within its former territory. Because of a lack of centralized political authority and artistic production, their early development, although based on the Meroitic inheritance, was determined by different sources of influence. From the 8th century two united northern kingdoms became a powerful state, which is also reflected in its art. Rising creativity from the 9th century onwards reflected local needs and ambitions. In the course of time, surrounded by Islamic neighbors, Nubian art on one hand remained independent in its forms of art, but on the other hand absorbed a new style and iconographic details, which is most visible in 12th-century wall painting. Most probably it reflected a changing lifestyle, inspired by the wider Middle Eastern world at that time. The late period, although characterized by much less activity and financial possibilities of individuals or communities, still shows flourishing activities of Nubian artists. Christian Nubian culture ended almost simultaneously with the Byzantine empire, leaving almost one thousand years of its unique heritage.
努比亚中世纪王国的工艺品
麦罗帝国崩溃后,三个独立的王国在其前领土上崛起。由于缺乏集中的政治权威和艺术生产,他们的早期发展,虽然基于美洛人的继承,是由不同的影响来源决定的。从8世纪开始,两个联合的北方王国成为一个强大的国家,这也反映在它的艺术上。从9世纪开始,不断增长的创造力反映了当地的需求和抱负。随着时间的推移,在伊斯兰邻国的包围下,努比亚艺术一方面保持了其艺术形式的独立性,但另一方面吸收了新的风格和图像细节,这在12世纪的壁画中最为明显。最有可能的是,它反映了一种生活方式的变化,受到当时更广阔的中东世界的启发。后期,尽管个人或社区的活动和经济可能性大大减少,但努比亚艺术家的活动仍然蓬勃发展。基督教努比亚文化几乎与拜占庭帝国同时结束,留下了近千年的独特遗产。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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