Representation of Conventional Gender Roles in Prasad

Asmita Bista
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引用次数: 1

Abstract

The film Prasad reveals the prevailed gender practices in Nepali society that instigate to perform the stereotyped gender roles to the characters. So, the study aims to investigate how do characters construct the conventional gender identities. Likewise, this article intends to assess the reasons that force the characters to firmly stick to the prescribed gender roles. Similarly, to examine the consequences the characters go through while performing the traditional gender roles, is another objective of this article. To meet these objectives, Gender studies has been used as theoretical tools. Particularly, Judith Butler’s, and R.W. Connell’s idea of gender theory has been used. These theorists propose theory of gender as constructed phenomenon that is achieved through the constant performance. This article contributes to understanding the harmful consequences caused by conventional gender roles to the people. The study concludes that assigning the stereotyped gender roles to the characters, the film Prasad indorses the existing gender stereotype.
普拉萨德语中传统性别角色的表现
电影《普拉萨德》揭示了尼泊尔社会中盛行的性别习俗,这些习俗煽动角色扮演刻板的性别角色。因此,本研究旨在探讨角色如何建构传统的性别认同。同样,这篇文章也打算评估迫使角色坚定地坚持既定性别角色的原因。同样,研究角色在扮演传统性别角色时所经历的后果也是本文的另一个目标。为了实现这些目标,性别研究被用作理论工具。尤其是朱迪思·巴特勒和R.W.康奈尔的性别理论。这些理论家提出性别理论是一种建构的现象,是通过不断的表现来实现的。本文有助于理解传统的性别角色给人们带来的有害后果。研究得出结论,赋予角色刻板的性别角色,电影普拉萨德支持现有的性别刻板印象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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