Die Deplatzierten dieser Erde. Flüchtlinge als literarisches Phänomen

M. Omar
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Abstract

How is the German contemporary literature narrating displacement? How does it present refugees? Are forced or prohibited intercultural encounters in Germany dealt with in these literary works? In what kind of space is the plot taking place? Is the literary figure of a refugee more of a world citizen or a stateless person? What do the protagonists expect from Europe? What price are they willing to pay to get out of hell and reach the awaited European paradise or penetrate the walls of the fortress Europe? This paper deals with these questions through the analysis of the novels »Havarie« (Kröger 2015), »Gehen, ging, gegangen« (Erpenbeck 2015) and »Ohrfeige« (Khider 2016). Also a number of philosophical and theoretical writings on the same topic are being highlighted. Title: The misplaced people of the earth. Refugees as a literary phenomenon
地球上的畸形人难民作为文学现象
德国当代文学是如何叙述位移的?它是如何呈现难民的?这些文学作品中是否涉及德国被迫或被禁止的跨文化接触?情节发生在什么样的空间?文学中的难民形象更像是世界公民还是无国籍者?主角们对欧洲有什么期待?他们愿意付出什么样的代价,才能走出地狱,到达期待已久的欧洲天堂,或者冲破欧洲堡垒的高墙?本文通过对小说《Havarie》(Kröger 2015)、《Gehen, ging, gegangen》(Erpenbeck 2015)和《Ohrfeige》(Khider 2016)的分析来探讨这些问题。此外,关于同一主题的一些哲学和理论著作也正在得到强调。题目:地球上错位的人。难民是一个文学现象
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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