ARTISTIC RESEARCH PHILOSOPHY AND GEORGIA

Nino Jvania, Eka Chabashvili, T. Zhvania
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Abstract

Artistic research studies the creative process that leads to an artwork. The aim of artistic research is to produce knowledge on the basis of research outcomes and thus to contribute to development of various disciplines of culture. The idea of artistic research is quite new and it is no surprise that the field is still unexplored in Georgia. Though, artistic research has its historical background in the academic field of the country. The authors of the present article were given a unique opportunity to actively participate in the formation of a new research form and to contribute to its development at the international level as their fundamental research “Development of Artistic Research Methodology on the Example of Exploration of the Piano of the 21st Century and its Future Perspectives” was supported by Shota Rustaveli National Science Foundation of Georgia. Within the project, they carried out the first research in the field of Georgian academic music which was conceived as purely artistic research. At the same time, having studied and analysed the methodology of artistic researches conducted in different countries worldwide they came to conclusions that form the basis of the philosophy of artistic research. The article presents the essence and philosophy of artistic research formulated by Georgian artistic researchers on the background of historical precedents of art-based research in Georgia. The fact that the researchers were raised in a country with the totalitarian past influenced their view of artistic research as a symbol of freedom of expression. The authors hope the article demonstrates the necessity of developing the artistic research in the fields of art and art education both in Georgia and worldwide.
艺术研究哲学和格鲁吉亚
艺术研究研究艺术作品的创作过程。艺术研究的目的是在研究成果的基础上产生知识,从而为各种文化学科的发展做出贡献。艺术研究的想法是相当新的,这并不奇怪,该领域仍未开发在格鲁吉亚。然而,艺术研究在国内学术领域有其历史背景。本文作者获得了一个独特的机会,积极参与一种新的研究形式的形成,并为其在国际层面的发展做出贡献,因为他们的基础研究“以21世纪钢琴探索为例的艺术研究方法的发展及其未来前景”得到了格鲁吉亚Shota Rustaveli国家科学基金会的支持。在这个项目中,他们在格鲁吉亚学术音乐领域进行了第一次研究,这被认为是纯粹的艺术研究。同时,在研究和分析了世界各国艺术研究的方法论后,他们得出的结论构成了艺术研究哲学的基础。文章以格鲁吉亚艺术研究的历史先例为背景,阐述了格鲁吉亚艺术研究者所形成的艺术研究的本质和哲学。研究人员在极权主义国家长大的事实影响了他们将艺术研究视为表达自由的象征的观点。作者希望这篇文章能说明在格鲁吉亚和世界范围内开展艺术和艺术教育领域的艺术研究的必要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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