{"title":"ARTISTIC RESEARCH\nPHILOSOPHY AND GEORGIA","authors":"Nino Jvania, Eka Chabashvili, T. Zhvania","doi":"10.32690/1230-1604/pg32/jvania/chabashvili/zhvania","DOIUrl":null,"url":null,"abstract":"Artistic research studies the creative process that leads to an artwork. The aim of\nartistic research is to produce knowledge on the basis of research outcomes and thus to\ncontribute to development of various disciplines of culture. The idea of artistic research\nis quite new and it is no surprise that the field is still unexplored in Georgia. Though,\nartistic research has its historical background in the academic field of the country. The\nauthors of the present article were given a unique opportunity to actively participate\nin the formation of a new research form and to contribute to its development at the\ninternational level as their fundamental research “Development of Artistic Research\nMethodology on the Example of Exploration of the Piano of the 21st Century and its\nFuture Perspectives” was supported by Shota Rustaveli National Science Foundation\nof Georgia. Within the project, they carried out the first research in the field of Georgian\nacademic music which was conceived as purely artistic research. At the same\ntime, having studied and analysed the methodology of artistic researches conducted in\ndifferent countries worldwide they came to conclusions that form the basis of the philosophy\nof artistic research. The article presents the essence and philosophy of artistic\nresearch formulated by Georgian artistic researchers on the background of historical\nprecedents of art-based research in Georgia. The fact that the researchers were raised in\na country with the totalitarian past influenced their view of artistic research as a symbol\nof freedom of expression. The authors hope the article demonstrates the necessity\nof developing the artistic research in the fields of art and art education both in Georgia\nand worldwide.","PeriodicalId":124291,"journal":{"name":"Pro Georgia","volume":"12 4 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Pro Georgia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32690/1230-1604/pg32/jvania/chabashvili/zhvania","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Artistic research studies the creative process that leads to an artwork. The aim of
artistic research is to produce knowledge on the basis of research outcomes and thus to
contribute to development of various disciplines of culture. The idea of artistic research
is quite new and it is no surprise that the field is still unexplored in Georgia. Though,
artistic research has its historical background in the academic field of the country. The
authors of the present article were given a unique opportunity to actively participate
in the formation of a new research form and to contribute to its development at the
international level as their fundamental research “Development of Artistic Research
Methodology on the Example of Exploration of the Piano of the 21st Century and its
Future Perspectives” was supported by Shota Rustaveli National Science Foundation
of Georgia. Within the project, they carried out the first research in the field of Georgian
academic music which was conceived as purely artistic research. At the same
time, having studied and analysed the methodology of artistic researches conducted in
different countries worldwide they came to conclusions that form the basis of the philosophy
of artistic research. The article presents the essence and philosophy of artistic
research formulated by Georgian artistic researchers on the background of historical
precedents of art-based research in Georgia. The fact that the researchers were raised in
a country with the totalitarian past influenced their view of artistic research as a symbol
of freedom of expression. The authors hope the article demonstrates the necessity
of developing the artistic research in the fields of art and art education both in Georgia
and worldwide.