Fade In: Spiral biting a pinkie cuticle and Other Poems

F. Johnson
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Abstract

The following corpus of four poems indicates a knowledge and engagement with the retelling of antiquated myths in art and fiction. Chew and Swallow was informed by Francisco Goya’s Saturno devorando a su hijo (Saturn Devouring his Son), painted between 1820 and 1823. The poem investigates acts of masochism in terms of male-centric violence. It was a pity about her eyes is directly inspired from readings of John Polidori’s The Vampyre: A Tale (1819) and Angela Carter’s The Bloody Chamber (1979). Like Chew and Swallow, this poem explores acts of cannibalism, masochism and violence. However, It was a pity about her eyes is an exploration into the traumatic effect of sexual violence caused by men. I wrote Fade In: Spiral biting a pinkie cuticle in the form of a free verse poem that is aesthetically structured in the format of a script/screenplay. The truest moment of reflection is a palindrome; therefore, lines are repeated in descending order towards the end to demonstrate a reflective conversation between the speakers. The selected poems focus on intricate themes of the self, horror and violence and the speakers go through a psychological process related to their mythological intertexts as each poem goes on. I close many of the poems with affirmed definitive statements reflective of newfound ideas.
淡出:螺旋咬小指角质层和其他诗歌
以下四首诗的语料库表明了在艺术和小说中复述古代神话的知识和参与。Chew和Swallow的灵感来自于弗朗西斯科·戈雅(Francisco Goya)在1820年至1823年间创作的《土星吞噬他的儿子》(Saturno devorando a su hijo)。这首诗从以男性为中心的暴力的角度来研究受虐行为。遗憾的是,她的眼睛直接受到了约翰·波利多利的《吸血鬼:一个故事》(1819)和安吉拉·卡特的《血腥室》(1979)的启发。和《咀嚼与吞咽》一样,这首诗探讨了同类相食、受虐和暴力的行为。然而,《可惜的是她的眼睛》是对男性性暴力造成的创伤效应的探索。我写了《淡入:螺旋咬着小指角质层》,以自由诗的形式,在美学上以剧本/剧本的形式构成。最真实的反思时刻是回文;因此,台词在结尾以降序重复,以展示说话者之间的反思对话。精选的诗歌集中在自我、恐怖和暴力等复杂的主题上,随着每首诗的继续,演讲者经历了一个与他们的神话互文相关的心理过程。我在很多诗的结尾处都用肯定的、明确的语句来反映我新发现的想法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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