The Forms of the Late Civilisational Phase

Jasmine Hunter Evans
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Abstract

Chapter 5 examines how the works of Christopher Dawson and Oswald Spengler shaped the vision of civilisational decline Jones developed across his poetry. Tracing the ways in which he drew upon their language, concepts, and even characters and embedded these into his Roman fragments and historical essays, elucidates the constructive dialogue Jones maintained with their works in his investigation of Roman and Western decline. This chapter pursues a contextualised close reading of Jones’s poetic representation of the late phase of civilisation, as a megalopolitan capitalist technocracy which ends in the brutality of Caesarian dictatorship and the decay of culture and religion. While Spengler encouraged his readers to embrace this totalitarian end, Jones and Dawson used their works to fight against the decline of the West. What emerges from Jones’s explorations is a belief in the creative potential of man-the-artist to reject standardisation and mechanisation, and to revivify culture in modernity.
晚期文明阶段的形式
第五章考察了克里斯托弗·道森和奥斯瓦尔德·斯宾格勒的作品如何塑造了琼斯在其诗歌中发展起来的文明衰落的愿景。琼斯利用他们的语言、概念,甚至人物,并将其嵌入他的罗马片段和历史文章中,追踪这些方式,阐明了琼斯在研究罗马和西方衰落时与他们的作品保持的建设性对话。这一章将琼斯对文明晚期的诗作进行语境化的细致解读,描绘了一个以凯撒独裁统治的残暴和文化与宗教的衰败而告终的大都市资本主义技术统治。当斯宾格勒鼓励他的读者接受这种极权主义的终结时,琼斯和道森用他们的作品来对抗西方的衰落。从琼斯的探索中浮现出的是对艺术家的创造潜力的信念,即拒绝标准化和机械化,并在现代性中复兴文化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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