Labor III

Emma Aston
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Abstract

The Cerynean Hind serves to cast Heracles as a problematic hero. It is delicate and beautiful, and defeating it constitutes no great act of force or valor (though it does require fleetness of foot). Moreover, it is sacred to Artemis, and its capture therefore constitutes a serious religious transgression. This chapter examines the exploitation of this problematic quality in literature (such as Pindar) and art, and also discusses the localizations of the story, both in Hyperborea—the northern margin of Heracles’ travels—and the heartland of the Peloponnese. However, unlike the Stymphalian Birds, the Hind has no real place in the myth-historical identity of any Greek community.
劳动三世
Cerynean Hind将赫拉克勒斯塑造成一个有问题的英雄。它是精致而美丽的,击败它并不需要多大的力量或勇气(尽管它确实需要敏捷的脚步)。此外,它对阿尔忒弥斯来说是神圣的,因此它的捕获构成了严重的宗教侵犯。本章考察了这一问题在文学(如品达)和艺术中的利用,并讨论了故事的本地化,包括在hyperborea - Heracles旅行的北部边缘和伯罗奔尼撒半岛的中心地带。然而,与stympphalian Birds不同,Hind在任何希腊社区的神话历史身份中都没有真正的地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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