Art in nature: Shifting trends in Nepali sculpture

Om Khattri
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Abstract

Art has its environment and meaning, and it can exist free from a pedestal. Different approaches have sprung up with current environmental impacts, including other outdoor sculptures in Nepal as a modern movement. This form of activity has given new meaning to local indigenous values, art, and crafts. The transition started after some naturalistic sculptures, including equestrian statues, were brought from Europe and installed in the open environment. Environmental sculpture is a type of public art that creates or changes the spectators' surroundings. Nepalese sculptors have practiced a new genre as an alternative discipline of sculpture. A significant sculpture, Nirmāna, which means construction, was created by Thakur Prasad Mainali in 2024-25 B.S. at Bhirkutimandap, Kathmandu. Hence, two methodological approaches-primary observation and historical connections used to conduct this study. Besides numerous modern sculptures, this investigation focused on the earliest environmental sculptures. The study also explores the historical significance of sculpture in Nepal as it evolved and assimilated into modernity over time. After centuries of artistic and cultural legacy in Nepal, environmental sculpture underwent new changes.
自然中的艺术:尼泊尔雕塑的变化趋势
艺术有它的环境和意义,它可以脱离基座而存在。由于当前的环境影响,不同的方法如雨后春笋般涌现,包括尼泊尔的其他户外雕塑作为一种现代运动。这种形式的活动赋予了当地土著价值观、艺术和手工艺新的意义。这种转变始于一些自然主义雕塑,包括马术雕像,从欧洲带来并安装在开放环境中。环境雕塑是一种创造或改变观众周围环境的公共艺术。尼泊尔雕塑家实践了一种新的类型,作为雕塑的另一种学科。一个重要的雕塑Nirmāna,意思是建筑,是由Thakur Prasad Mainali于2024-25 B.S.在加德满都的Bhirkutimandap创作的。因此,本研究采用了两种方法——初步观察和历史联系。除了众多的现代雕塑,这次调查的重点是最早的环境雕塑。该研究还探讨了尼泊尔雕塑的历史意义,因为它随着时间的推移而演变和融入现代。经过几个世纪的艺术和文化遗产,尼泊尔的环境雕塑经历了新的变化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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