The Implementation of the Concept of Atmosphere in Kazuyo Sejima’s Architecture

Chuloh Jung, M. Sherzad, Mohammad S. Arar
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Abstract

Kazuyo Sejima and Ryue Nishizawa are founding partners of the firm SANAA (Sejima and Nishizawa and Associates) and renowned for their refined simplicity, spatial fluidity, and thoughtful integration into urban contexts. SANAA has developed the architectural ‘atmosphere’ as its design methodology and called it as a landscape (the contemporary scenery) for people. The objective of this paper is to explore the examples of ‘Atmosphere’ in their projects and SANAA’s design methodology to define Atmosphere and discover new design vocabulary for Atmosphere. As a methodology, the interpretation of SANAA's own statements and explanatory texts and exploration to find consistency in fragmentary and multi-faceted statements were conducted. In addition to the analysis of speech, in approaching the atmosphere as an embodied substance, it was attempted to trace and discover which architectural representations are closely related to the concept of atmosphere in the design result. The analysis result had shown that SANAA used three main approached for atmosphere as follows: 1) an expression strategy to reset the hierarchy, 2) an expression strategy of transparency and abstract simplicity to clearly express the architectural concept they want to convey, that is, the essential nature of the project, 3) a strategy of tricks to induce discovery. SANAA has been pursuing a new freedom and has incorporated multiple values into it and tries to embody the concept of atmosphere via the various representational strategies: hierarchical reconstitution of space, transparent and abstract simplification, and non-deceptive trick.
氛围概念在濑岛和代建筑中的运用
Kazuyo Sejima和Ryue Nishizawa是SANAA事务所(Sejima和Nishizawa and Associates)的创始合伙人,以其精致的简洁、空间的流动性和与城市环境的周到融合而闻名。SANAA将建筑“氛围”作为其设计方法,并将其称为人们的景观(当代风景)。本文的目的是探索“氛围”在他们的项目中的例子和SANAA的设计方法来定义氛围,并发现新的设计词汇。作为一种方法论,我们对SANAA自己的声明和解释性文本进行了解读,并探索在碎片化和多面化的声明中寻找一致性。除了对言语的分析,在将氛围作为一种具象化的物质来接近的过程中,试图在设计结果中追踪和发现哪些建筑表现形式与氛围的概念密切相关。分析结果表明,SANAA使用了以下三种主要的氛围方式:1)重置层次的表达策略,2)透明和抽象简单的表达策略,以清楚地表达他们想要传达的建筑概念,即项目的本质,3)诱导发现的技巧策略。SANAA一直在追求一种新的自由,并将多种价值观融入其中,并试图通过各种表现策略来体现氛围的概念:空间的分层重构,透明抽象的简化,非欺骗性的技巧。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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