The seasons in the cycle of the poems “About Natureˮ by Konstantin Sluchevsky: the author's concept of the universe

Nadezhda A. Vorozhtsova
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Abstract

This article analyses the poems dedicated to spring, summer, autumn, winter. The study of seasonal lyrics by Konstantin Sluchevsky reveals the connection of the lyrical hero of his works with the emotional state and philosophical reflections of the “timelessnessˮ era human. The author of the article reveals both traditional and innovative approaches to creating landscape lyrics, analyses “cross-cutting motifs”, eternal themes, mythopoetic images of “river”, “water”, “sun”, “earth”, “world of treesˮ. The study draws attention to the specific style of the poet – the complicated construction of metaphors, the use of sound writing, the personification of natural phenomena, endowing traditional poetic images with non-traditional properties. The author of the article proves that the cycle “About Natureˮ can be considered as a reflection of Sluchevsky’s philosophical position, who perceives life in all its versatility and completeness. The poet reflects the tragic perception of the earthly existence of human and the inevitability of death in many works. At the same time, his works contain both the motif of resignation to the inevitability of suffering and readiness to calmly accept them, as well as a romantic aspiration to other “happy”, but “foreign” worlds, an understanding of death as a possible liberation of a person from the shackles of tragic earthly existence.
康斯坦丁·斯鲁切夫斯基《关于自然》诗歌循环中的季节:作者的宇宙观
本文分析了春、夏、秋、冬诗。通过对斯鲁切夫斯基季节性抒情诗的研究,可以看出他作品中的抒情英雄与“永恒的人”的情感状态和哲学反思之间的联系。本文揭示了传统与创新的景观抒情诗创作方法,分析了“交叉主题”、永恒主题、“河”、“水”、“太阳”、“大地”、“树的世界”等神话意象。该研究关注诗人的具体风格——隐喻的复杂结构,声音写作的使用,自然现象的人格化,赋予传统诗歌形象以非传统的属性。这篇文章的作者证明,循环“关于自然”可以被认为是斯鲁切夫斯基的哲学立场的反映,他认为生命的多样性和完整性。诗人在许多作品中体现了对人的尘世存在和死亡必然性的悲剧性认知。与此同时,他的作品既包含了对痛苦的必然性的顺从和平静地接受它们的准备,也包含了对其他“幸福”但“陌生”世界的浪漫渴望,将死亡理解为一种将人从悲惨的尘世存在的束缚中解放出来的可能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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