Making and learning: Envisioning a third place for Lakota artists

Elizabeth Tofte, Derek A. Stewart, Jennifer A. Martel
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Abstract

ABSTRACT This case study discusses a course where 125 South Dakota State University School of Design (SoD) students collaborated with faculty, staff, and 30 artists at Sitting Bull College (SBC), Standing Rock Sioux Reservation, North Dakota, US. Students received authentic instruction through SBC artist workshops, conversations, and storytelling, then joined visioning exercises to design festival grounds, workshop spaces, kitchen and dining facilities, and guest camping. Students demonstrated that they understood the function of a “third place” by asking informed questions, reflecting on unique cultural requirements, and looking to the future to supply sustainable site and building recommendations. All interactions were held online. Students’ reflections were gathered using Brookfield’s Critical Incident Questionnaire. Tara Page’s embodied and material pedagogies are useful when making, designing, and learning about sites, local culture, and people. Future work will examine how knowledge, understanding, learning, and belonging strengthen the placemaking process to better prepare students for professional practice.
制作和学习:为拉科塔艺术家设想第三个地方
本案例研究讨论了美国北达科他州立岩苏族保留地坐牛学院(SBC) 125名南达科他州立大学设计学院(SoD)学生与教职员工和30名艺术家合作的课程。学生们通过SBC艺术家工作坊、对话和讲故事获得了真实的指导,然后参加了设计节日场地、工作室空间、厨房和餐饮设施以及客人露营的设想练习。学生们通过提出明智的问题,反思独特的文化需求,并展望未来,提供可持续的场地和建筑建议,证明他们理解“第三空间”的功能。所有的互动都在网上进行。学生们的想法是用布鲁克菲尔德的关键事件问卷收集的。Tara Page的具体化和材料教学法在制作、设计和学习场地、当地文化和人民时非常有用。未来的工作将研究知识、理解、学习和归属感如何加强场所塑造过程,使学生更好地为专业实践做好准备。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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