A Latter Day Eve: Reading Twilight through Paradise Lost

L. Lampert-Weissig
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引用次数: 2

Abstract

Abstract: Critics have demonstrated how Stephenie Meyer's Twilight saga reinforces the notion that the appropriate roles for women are those of wife and mother. Viewed from a literary historical perspective, however, the Twilight saga can also be seen as reinterpretation of the Genesis story, told from a female point of view as a vampire narrative. Meyer's “New Eve” is part of a literary tradition that springs from Paradise Lost. Meyer's portrayal of the concept of free will and her connected depiction of the redemptive power of motherhood emphasizes elements in the Latter Day Saints tradition that present a more positive view of Eve, and by extension of “Woman,” than is common in traditional portrayals of Genesis.
《末日前夜:从失乐园读暮光
摘要:评论家们已经证明了史蒂芬妮·梅耶的《暮光之城》系列电影是如何强化了这样一种观念,即女性的合适角色是妻子和母亲。然而,从文学史的角度来看,《暮光之城》也可以看作是对《创世纪》故事的重新诠释,从女性的角度讲述吸血鬼的故事。迈耶的《新夜》是源自《失乐园》的文学传统的一部分。迈耶对自由意志概念的描绘,以及她对母性救赎力量的相关描述,强调了后期圣徒传统中的元素,这些元素呈现出对夏娃的更积极的看法,并通过“女人”的延伸,而不是传统对创世纪的描绘。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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