EMOTIVE CREATIVITY AS THE BASIC CHARACTERISTIC OF COMIC ECO-DISCOURSE

O. Kuznietsova
{"title":"EMOTIVE CREATIVITY AS THE BASIC CHARACTERISTIC OF COMIC ECO-DISCOURSE","authors":"O. Kuznietsova","doi":"10.25264/2519-2558-2022-16(84)-66-69","DOIUrl":null,"url":null,"abstract":"This article focuses on the ecological approach in comic discourse which aims at analyzing the interinfluence of language environment and person’s environment, regulated by emotions. It is proved that violation of norms (language, logical, ontological, valorative) in eco-discourse is the key factor of paradoxicality, which is a norm for humour. Thus, the essence of comic eco-discourse lies in its variation. We conclude that flexibility in comic eco-discourse depends on creativity of a discourse identity. Creativity presupposes charisma, talent, inspiration, intention to create something unique, wit etc. In our work a creative discourse identity is the postmodern American writer-humorist Dave Barry. The author’s linguocreativity finds expression in the language game – postmodern technique of comic. Dave Barry’s postmodern texts include: incongruent combination of a title and a picture, violation of graphical norms, specific book cover with a self-ironic photo of the author, usage of the intertextual elements (allusions, parodies, reminiscences, quotes etc.). Scientific research demonstrated the interaction of Dave Barry as a discursive identity with the world that surrounds him through the medium of the comic. The comic author tries to improve the surrounding world by non-canonical variation of the comic means, and thereby contributes to the ecology of discourse.","PeriodicalId":237537,"journal":{"name":"Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ»","volume":"22 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ»","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25264/2519-2558-2022-16(84)-66-69","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

This article focuses on the ecological approach in comic discourse which aims at analyzing the interinfluence of language environment and person’s environment, regulated by emotions. It is proved that violation of norms (language, logical, ontological, valorative) in eco-discourse is the key factor of paradoxicality, which is a norm for humour. Thus, the essence of comic eco-discourse lies in its variation. We conclude that flexibility in comic eco-discourse depends on creativity of a discourse identity. Creativity presupposes charisma, talent, inspiration, intention to create something unique, wit etc. In our work a creative discourse identity is the postmodern American writer-humorist Dave Barry. The author’s linguocreativity finds expression in the language game – postmodern technique of comic. Dave Barry’s postmodern texts include: incongruent combination of a title and a picture, violation of graphical norms, specific book cover with a self-ironic photo of the author, usage of the intertextual elements (allusions, parodies, reminiscences, quotes etc.). Scientific research demonstrated the interaction of Dave Barry as a discursive identity with the world that surrounds him through the medium of the comic. The comic author tries to improve the surrounding world by non-canonical variation of the comic means, and thereby contributes to the ecology of discourse.
情感创造性是喜剧生态话语的基本特征
本文主要探讨喜剧话语中的生态方法,旨在分析语言环境和人的环境在情感调控下的相互影响。生态话语对规范(语言规范、逻辑规范、本体论规范、价值规范)的违背是产生悖论性的关键因素,而悖论性是幽默的一种规范。因此,喜剧生态话语的本质在于变异。我们得出结论,喜剧生态话语的灵活性取决于话语认同的创造性。创造力的先决条件是魅力、天赋、灵感、创造独特事物的意图、智慧等。在我们的作品中,一个创造性话语的身份是后现代美国作家兼幽默家戴夫·巴里。作者的语言创造性表现在语言游戏——后现代喜剧手法上。戴夫·巴里的后现代文本包括:标题和图片的不一致组合,违反图形规范,特定的书封面上有作者自嘲的照片,使用互文元素(典故,模仿,回忆,引用等)。科学研究表明,戴夫·巴里通过漫画媒介与他周围的世界形成了一种话语认同。喜剧作者试图通过喜剧手段的非规范变异来改善周围的世界,从而为话语生态做出贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信