Peeking Inside the Rhythmic Possibilities of the Portuguese Decassílabo

Adiel Mittmann, Gabriel Esteves, Alckmar Luiz dos Santos
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Abstract

The Portuguese decassílabo has a rich internal structure, which is usually analyzed in terms of the rhythmic patterns revealed by verse scansion. In this article, we aim to explore how the stress of one syllable influences another. In order to achieve this goal, we use raw rhythmic patterns, that is, ones in which stress clashes have not been resolved. To exploit these patterns, we apply three methods: tile plots, indices and graphs. Based on our investigation of a corpus of 24 poets, we find that poets who employ similar rhythmic patterns may not share the same preferences concerning stress clashes and may produce different dependence relations. Because many of the associations among syllables reflect the use of one of the two basic types of decassílabo, namely the heroic and Sapphic variants, we also propose verse classifications that are useful for understanding and comparing the works of different poets. The main conclusion of this study is that although the decassílabo has certain general features, much room remains for poets to create their own interpretations of the form.
窥视葡萄牙人节奏的可能性Decassílabo
葡萄牙语decassílabo具有丰富的内部结构,通常根据韵读所揭示的节奏模式来分析。在这篇文章中,我们旨在探讨一个音节的重音是如何影响另一个音节的。为了达到这个目标,我们使用原始的节奏模式,也就是说,重音冲突尚未解决的节奏模式。为了开发这些模式,我们采用了三种方法:平铺图、指数和图表。通过对24位诗人语料库的调查,我们发现,使用相似节奏模式的诗人对重音冲突的偏好可能并不相同,并且可能产生不同的依赖关系。由于音节之间的许多关联反映了decassílabo的两种基本类型之一,即英雄变体和萨福变体的使用,因此我们也提出了有助于理解和比较不同诗人作品的诗歌分类。本文的主要结论是:虽然decassílabo具有一定的共性,但诗人仍有很大的空间来创造自己对这种形式的解释。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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