PIANO PIECES OF A. S. ARENSKY ON THE EXAMPLE OF THE CYCLE OP. 36

A. M. Gorshkova, Moscow Russian Federation Moscow State Tchaikovsky Conservatory
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Abstract

The article is dedicated to the piano works of Anton S. Arensky (1861–1906), one of the most famous Russian composers of the late XIXth – early XXth centuries. Throughout his career, the composer turned to various genres (he created three operas, a ballet, a lot of symphonic and chamber pieces), but compositions for piano solo were among his favorites. This genre in many ways corresponded to the specifics of the composer's talent, his inclination towards chamberness and lyricism, and became a kind of "creative laboratory", where many tendencies, later used in other genres, were worked out. It was in piano pieces that the most attractive qualities of his music were revealed — an amazing melodic gift, finesse and detailed elaboration of all aspects of composition. The author pays particular attention to the cycle of 24 piano pieces Op. 36. Due to embodiment of many melodic, texture, and harmony features typical for Arensky, it became a kind of quintessence of his piano style. It is also important that many features of the composer’s style influenced musicians of the next generation, including Sergey Rachmaninoff and Nikolay Medtner.
a·s·阿伦斯基的钢琴曲,以作品36为例
这篇文章是献给安东·s·阿伦斯基(1861-1906)的钢琴作品,他是十九世纪末至二十世纪初最著名的俄罗斯作曲家之一。在他的整个职业生涯中,这位作曲家转向了各种类型的作品(他创作了三部歌剧,一部芭蕾舞剧,许多交响乐和室内乐作品),但钢琴独奏作品是他的最爱。这种风格在很多方面都符合作曲家的天赋,他对室内乐和抒情的倾向,并成为一种“创造性实验室”,许多倾向,后来在其他流派中使用,被设计出来。正是在钢琴作品中,他的音乐最吸引人的品质被揭示出来——惊人的旋律天赋、技巧和对作曲各个方面的详细阐述。作者特别关注作品36的24首钢琴曲的循环。由于体现了阿伦斯基的许多旋律、织体和和声特征,它成为他钢琴风格的一种精髓。同样重要的是,作曲家风格的许多特征影响了下一代音乐家,包括谢尔盖·拉赫玛尼诺夫和尼古拉·梅特纳。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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