Visualisasi Feminisme dalam Film Jelita Sejuba: Mencintai Kesatria Negara melalui Karakter Syarifah

Agnes Septiana, Achmad Sjafi’i
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Abstract

Jelita Sejuba movie: Loving the Knights of the Country is examined in terms of visualizing the feminism of the film’s main character, namely Syarifah. Although not a feminist movie, there are indications of feminism features  expressed  by  Syarifah’s  character  through  visual  language.  The  purpose  of  this  research  is  to describe  the  visualization  of  feminism  through  shots,  scenes,  gestures,  and  dialogues.  This  qualitative descriptive study applies a purposive sampling method by selecting the most appropriate scene as a sample. The analysis of feminism in this study is seen from the scenes which contain the visualization of feminism. The results of this study conclude that feminism can be presented through shots in movies that summarize scenes,  gestures,  and  dialogues.  The  visualization  of  feminism  presented  in  the  movie  shows  Syarifah’s attitude toward gaining the right to choose life according to her preferences.
电影《想象女权主义》中的女权主义:通过电影《Syarifah》人物来热爱这位国家骑士
Jelita Sejuba的电影:love the Knights of the Country从电影主角sharifah的女权主义形象来看。虽然不是一部女权主义电影,但沙利法的角色通过视觉语言表达了女权主义的特征。本研究的目的是通过镜头,场景,手势和对话来描述女权主义的可视化。本定性描述性研究采用有目的的抽样方法,选择最合适的场景作为样本。本研究对女性主义的分析是从包含女性主义可视化的场景出发的。这项研究的结果表明,女性主义可以通过电影中的镜头来呈现,这些镜头概括了场景、手势和对话。电影中所呈现的女性主义的形象化表现了Syarifah对于根据自己的喜好获得选择生活的权利的态度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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