Death, women and value production the circulation of hair strings among the walpiri of the central australian desert

Barbara Glowczewski
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引用次数: 13

Abstract

Weiner (1981) has provided some stimulating interpretations and hypotheses concerning the relationship between the circulation of goods produced exclusive? ly by women and social reproduction. Comparing Samoa and the Trobriand Islands, she interprets the production and circulation of fine mats as a necessary condition for social reproduction. These fine mats, exclusively made and decorat? ed by women, represent the group's cultural (mythical/historical) heritage, and are recognized as such by the men who say that these mats have more value for them than gold has for white men. Weiner observes that these objects of circulation and alliance return to the original descent line?that of the woman who produced the fine mat?when one of the members of this descent line dies. It is as though the symbolic rupture in the circulation was necessary in order to negate the gap produced by a member's death. At the same time, this symbolic rupture allows the circulation to start again. It guarantees the dead person's rebirth by repeating the cyclic reproduction on which the world view of these societies depends. She (Weiner 1981) interprets these fine mats as the incarnation of women's secret power which, in its symbolic form and its real transmis? sion, acts as a challenge to men's power, without implying a neutralization of the tendency towards male domination or a reduction in men's secular power. Rather, women's potential resistance is seen as necessary, even if it is contrary to the reproduction of the social system in general. In other words, women's role in production and exchange systematically questions the legitimacy that men want to make of their own power. Having carried out two periods of field work in Australia (1979 and 1980) among the Walpiri at Lajamanu (a central desert community), I will try to show here a determining role of Aboriginal women in social reproduction similar to that described by Weiner (1981) for the Pacific Islands women. This can be best understood through analyzing the circulation of hair strings which symbolize a privileged form of exchange among many of the 500 Australian Aboriginal peoples. These strings are not exclusively made by women, but systematically at each bereavement it is the women?according to their kinship relationship with the deceased person?who, more often than men, cut their hair and make strings
死亡、妇女和价值生产——澳大利亚中部沙漠中瓦尔皮里人的发丝流转
Weiner(1981)对商品生产的排他性流通之间的关系提供了一些令人振奋的解释和假设。由妇女和社会再生产。通过比较萨摩亚和特罗布里安群岛,她认为精细草席的生产和流通是社会再生产的必要条件。这些精美的垫子,专门制作和装饰?由女性设计,代表了该团体的文化(神话/历史)遗产,并且被男性认可,他们说这些垫子对他们来说比金牌对白人男性更有价值。韦纳观察到,这些物体的循环和联盟回归到原来的下降线?那个制作精美垫子的女人?当这个世系的一个成员死亡时。这就好像是为了否定一个成员的死亡所产生的间隙,在循环中象征性的断裂是必要的。与此同时,这种象征性的破裂使循环重新开始。它通过重复这些社会世界观所依赖的循环繁殖来保证死者的重生。她(Weiner 1981)将这些精美的垫子解释为女性秘密力量的化身,这种力量在其象征形式和真实传播中都是如此。《锡安》作为对男性权力的挑战,并不意味着对男性统治倾向的中和或对男性世俗权力的减少。相反,妇女的潜在抵抗被认为是必要的,即使它违背了一般社会制度的再生产。换句话说,女性在生产和交换中的角色系统性地质疑了男性想要获得自己权力的合法性。在澳大利亚(1979年和1980年)对Lajamanu(中部沙漠社区)的Walpiri人进行了两次实地调查后,我将试图在这里展示土著妇女在社会再生产中的决定性作用,类似于Weiner(1981)对太平洋岛屿妇女的描述。通过分析发丝的流通可以最好地理解这一点,发丝象征着500名澳大利亚土著居民中许多人之间的一种特殊的交换形式。这些琴弦并不完全是由女性制作的,而是有系统地在每次丧亲时都是由女性制作的?根据他们与死者的亲属关系?她们比男人更常剪头发做绳子
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