Nikolai Leskov’s Kyiv Text

Ani Abrahamyan
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Abstract

In 1849, eighteen-year-old Nikolai Leskov moved to Kyiv, where he would spend the next ten years of his life. Some thirtyfour years later, he wrote a vivid memoir titled Pecherskie antiki (1883) in which he recounted Kyiv’s architecture, culture, and inhabitants. This article examines Leskov’s text — set in Kyiv and about Kyiv — beyond its autobiographical relevance. When viewed through the prism of historical and mythopoetic images of Kyiv circulating prior to and during Leskov’s stay in the city, the memoir reveals a hierarchy of signs, images, and archetypes. This hierarchy, as well as the role of Kyiv in its formation and proliferation, has been studied and theorized by scholars of Ukrainian literature, who termed this cultural phenomenon the Kyiv Text. Some of the attributes of the Kyiv Text are the oppositions of high/low, sacred/profane, form/amorphousness. Having a lifelong fascination with Kyiv, Leskov contributed to the literary tradition of the Kyiv Text through exploring additional oppositions, such as change/tradition and official/popular. His memoir Pecherskie antiki thus offers new historical and cultural insights into the Kyiv Text.
尼古拉·莱斯科夫的基辅文本
1849年,18岁的尼古拉·列斯科夫搬到了基辅,在那里他度过了接下来的十年。大约34年后,他写了一本生动的回忆录,名为《Pecherskie antiki》(1883),他在书中叙述了基辅的建筑、文化和居民。本文考察列斯科夫的文本-设置在基辅和关于基辅-超越其自传的相关性。在莱斯科夫逗留基辅之前和期间,通过基辅的历史和神话形象的棱镜,这本回忆录揭示了标志、形象和原型的层次结构。这种等级制度,以及基辅在其形成和扩散中的作用,已经被乌克兰文学学者研究和理论化,他们将这种文化现象称为基辅文本。基辅文本的一些属性是高/低,神圣/世俗,形式/非性的对立。莱斯科夫一生迷恋基辅,他通过探索其他对立,如变革/传统和官方/大众,为基辅文本的文学传统做出了贡献。因此,他的回忆录《佩彻斯基·安提基》为基辅文本提供了新的历史和文化见解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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