AKULTURASI DALAM ARSITEKTUR RUMAH TINGGAL LASEM : Studi Kasus Rumah Liem King Siok

M. Sudarwani, E. Purwanto, Siti Rukhayah
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引用次数: 7

Abstract

Lasem was called “La Petit Chinois” or “Small China” because there were Chinese community settlements consisting of old Chinese-style houses. Lasem was a large port city since the time of the Majapahit Kingdom until the Dutch colonialism encouraged cultural acculturation. Lasem batik is one of the results of acculturation of Javanese and Chinese culture and has been a noble outfit since King Lasem I ruled (1350-1375). Cultural acculturation forms a distinctive cultural identity that is an important part of coastal culture. Therefore the uniqueness of cultural acculturation in Lasem is interesting to study. The purpose of this study was to obtain an overview of Chinese residential architecture in Lasem Chinatown and Chinese culture in Lasem, so as to enrich local theories about the meaning behind the architecture of Chinese houses in Lasem. This research method uses the rationalistic paradigm with a qualitative approach. Cultural acculturation influences local architecture through variety, pattern of space, and order, so that the result of mixing culture will form a new image of local society (Fauzy, 2012). The culture acculturation has influenced the spatial layout and details of the residential houses of the Chinese community so as to produce a unique form of architecture.
住宅建筑水产养殖:林国王Siok家庭的案例研究
Lasem被称为“La Petit Chinois”或“小中国”,因为那里有华人社区定居点,由古老的中式房屋组成。从Majapahit王国时期开始,Lasem就是一个大型港口城市,直到荷兰殖民主义鼓励文化适应。拉塞姆蜡染是爪哇文化和中国文化融合的结果之一,自拉塞姆一世国王统治(1350-1375)以来一直是一种高贵的服装。文化适应形成了鲜明的文化认同,是沿海文化的重要组成部分。因此,Lasem文化适应的独特性是值得研究的。本研究的目的是对Lasem唐人街的中国住宅建筑和Lasem的中国文化进行概述,从而丰富当地关于Lasem中国住宅建筑背后意义的理论。本研究方法采用理性主义范式和定性研究方法。文化适应通过多样性、空间格局和秩序影响着当地的建筑,文化融合的结果会形成当地社会的新形象(Fauzy, 2012)。文化适应影响了华人社区住宅的空间布局和细节,从而产生了独特的建筑形式。
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