IDENTITY OF CULTURE OF BLACKS AND WHITES IN TONI MORRISON’S SONG OF SOLOMON (A PERSPECTIVE OF POSTMODERNISM)

Supriyatno Supriyatno, Luky Indarwati, Maria Ariastuti
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Abstract

The cultural identity in a society is the characteristic and signifier to the existence and dimension of society in their life. Life of community in the broadest sense exists in paradigm of reflection and representation in the plots of norm, ideology, tradition and aesthetic involved in and it should not be the dichotomy in space and time in transferring the meaning of life. It is the forms of integrity, responsibility in orders of values, hope, ideals and future. The article represents the life of human being in following, encouraging, accompanying, even fighting for how to reach the cultural identity in terms of rational and historical times. Colored with the problems of social stratification, race, and gender, this novel tries to convey the forms of paradoxical analyses and sharply elaborated in the structure of oxymoron in which imply on the studies of culture in a society to find out the self-identity. The analyses of the research are in the approach of post-modernism discussed as the reaction to the established modern era and its colors, meanwhile the data analyzed in terms of qualitative method with the techniques of interpretative qualitative in the steps of data comprehensively read, interpretation of meaning and critical analysis.
托妮·莫里森《所罗门之歌》中的黑人与白人文化认同(后现代主义视角)
一个社会的文化认同是其生活中社会存在和维度的特征和标志。最广义的社区生活存在于规范、意识形态、传统和审美等情节所涉及的反思和再现范式中,而不应该是空间和时间的二分法来转移生活的意义。它是正直、责任的形式,按价值、希望、理想和未来排列。本文代表了人类在理性与历史的时代背景下,如何在追随、鼓励、陪伴乃至奋斗中实现文化认同的人生。这部小说以社会分层、种族、性别等问题为主题,运用矛盾修辞法的结构,试图传达矛盾分析的形式,暗含着对社会文化研究的自我认同。本研究的分析以后现代主义的方法讨论对既定的现代时代及其色彩的反应,同时在数据综合阅读、意义解释和批判性分析的步骤中,运用解释性质的方法对数据进行定性分析。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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