Sintren and Javanese Rural Community in Change

Romadi
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引用次数: 3

Abstract

Modernization in Java has to be paid handsomely at the expense of traditional art displaced by pop culture from the West. The initial analysis resulted in the community's orientation of art or cultural products being switched. The aim of this article is to describe Sintren, a traditional art whose existence is eroded by modernity in the field of culture. The phenomenon raised are in Pekalongan and Tegal. The research method used is critical discourse analysis. The data sources of this research are cultural activists and their activities as well as the communities in the research sites. The results of this study are (i) currently Sintren is no longer in demand by society and its role is replaced by pop culture; (ii) Sintren is an art that contains history and values that reflect the life of maritime communities in the North Coast of Java; (iii) the values contained in Sintren's art are religious, social, caring, entertainment, and economic values. The implication of this research is that it takes a model or idea to do conservation of local culture whose existence is threatened by
变迁中的新村与爪哇乡村社区
爪哇的现代化必须以传统艺术被西方流行文化取代为代价。最初的分析导致社区对艺术或文化产品的定位发生了变化。本文的目的是描述一种在文化领域中被现代性侵蚀的传统艺术——辛特伦。这种现象出现在贝加隆岸和泰加。本文采用的研究方法是批评语篇分析。本研究的数据来源是文化活动者及其活动,以及研究地点的社区。本研究的结果是:(1)目前社会不再需要新锐,它的角色被流行文化所取代;Sintren是一种包含历史和价值的艺术,反映了爪哇北海岸海洋社区的生活;(三)辛特伦艺术所包含的价值观是宗教、社会、关怀、娱乐和经济价值观。本研究的启示是,对受到威胁的地方文化进行保护需要一种模式或理念
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