ENERGI FUNKOT GRUP MUSIK PRONTAXAN DI TENGAH PERKEMBANGAN MUSIK INDIE DI INDONESIA

Tristania Berdieta Sarinastiti
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Abstract

As original Indonesian music, Dangdut has an appeal that is quite popular with various groups of people. Along with the times, dangdut music has undergone interesting modifications by combining dangdut songs with electronic music called Funky Kota music (Funkot). The purpose of this study was to examine the process and role of the Prontaxan music group which brought Funkot music amidst the development of indie music in Indonesia. The research method uses a descriptive qualitative approach by collecting data through interviews, observation, and literature study. The results of the study show that Prontaxan has become one of the musical groups that have finally made genre no longer an aspect to judge someone through their taste in music. They make music as a unifier and entertainment for everyone who listens to it by using an indie music approach that is a victim of the remix creations they do. Then approach social media with content that is entertaining and in tune with young people and still seems peripheral to the slang language that is typical of Funkot music in its era
印尼独立音乐的发展中,由代词组成的FUNKOT音乐团体
作为印尼的原创音乐,当当深受不同人群的欢迎。随着时代的发展,dangdut音乐经历了有趣的变化,将dangdut歌曲与电子音乐结合在一起,称为Funky Kota音乐(Funkot)。本研究的目的是考察Prontaxan音乐团体在印尼独立音乐发展中带来Funkot音乐的过程和作用。研究方法采用描述性定性方法,通过访谈、观察和文献研究收集数据。研究结果表明,Prontaxan已经成为最终使音乐类型不再是通过音乐品味来判断一个人的一个方面的音乐团体之一。他们通过使用独立音乐的方法,将音乐作为每个听者的统一和娱乐,这是他们所做的混音创作的受害者。然后在社交媒体上发布娱乐性的、与年轻人合拍的内容,这些内容似乎与那个时代典型的Funkot音乐的俚语语言无关
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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