The Indian Tribal Art Market

Farzaneh Maleki Dizaji
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Abstract

Abstract: In the study of art market of Indian tribal, creativeeconomy, cultural economy effect on consumer behavior, governmentprotection, changes of cultural believes and religion by tribal for increasing market, art economic etc. has been considered. In Indian tribal art economics, creative imagination coming from their culture, believes, religions etc. So it becomes more sensitive and restricted. The Field work was conducted in Bhopal (IGRMS), Madhya Pradesh, India. Data collection was performed by qualitative informal depth interview and quantitative data by questionnaire. Tools and technique were including photography, observation; case study (Bhil and Rathwa communities) Research duration was fromMay2015 to March 2016. Consumers of Indian tribal art divided to four categories: foreigners, NRI, artist and very rare common people. The government protection of Tribal art is based on Article 342. The protection is governed by the Ministry of Culture and Ministry of Tribal affairs, Government of India. And also by organizations like IGRMS, TRIFED, TRTI, Lalit Kala Academy etc. Protection of arts in India is performed under section 22 of the copy right Act 1957, intellectual property right and also scheme of “Market Development of Tribal Products/ Produce. In conclusion art marketing doesn’t have a particular formula for all type of art because they have different target audience.Keywords: Art Market, Creative Economy, Cultural Economy, Indian Tribal Art, Indira Gandhi Rashtriya Manav Sangrahalaya (IGRMS)
印第安部落艺术市场
摘要:在对印第安部落艺术市场的研究中,考虑了创意经济、文化经济对消费者行为的影响、政府保护、部落为扩大市场而改变文化信仰和宗教、艺术经济等问题。在印度部落艺术经济中,创造性的想象力来自他们的文化、信仰、宗教等。所以它变得更加敏感和受限。实地工作在印度中央邦的博帕尔(IGRMS)进行。数据收集采用定性非正式深度访谈法,定量数据采用问卷调查法。工具和技术包括摄影,观察;案例研究(Bhil和Rathwa社区)研究时间为2015年5月至2016年3月。印度部落艺术的消费者分为四类:外国人、非印度裔、艺术家和非常罕见的普通人。政府对部落艺术的保护是基于第342条。该保护由印度政府文化部和部落事务部管理。还有IGRMS, tried, TRTI, Lalit Kala Academy等组织。印度的艺术保护是根据《1957年版权法》第22条、知识产权和“部落产品/产品市场开发”计划进行的。总之,艺术营销并不是针对所有类型的艺术都有一个特定的公式,因为它们有不同的目标受众。关键词:艺术市场,创意经济,文化经济,印度部落艺术,英迪拉·甘地,拉什特里亚·马纳夫·桑格拉哈拉亚
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