Actualization of the Image of Кikimora in Beliefs and Masquerades of the Russians in Western Siberia

O. Golubkova
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Abstract

The mythological character “kikimora” is considered on ethnographic materials ofvarious ethnolocal groups of Russians in Western Siberia. Kikimora was considered a character in the home space, mostly malicious, harmful, sinister. Kikimora was spinning. Therefore, she was associated with the symbolic embodiment of destiny: a deity that spins and breaks the thread of life. Kikimora embodied the trickster archetype. The concept of kikimora correlates with the symbols of time. “Border” periods are especially significant: the change of day, the transition from the old year to the new year. Therefore, the masquerade image of the kikimora entered the calendar rituals of the winter-spring period. In Western Siberia, until the middle of the twentieth century, the tradition of dressing up in “kikimora” on Christmastide and Maslenitsa (“farewell to winter”) was preserved. Women dressed up in old shabby clothes, smeared their faces with soot: they created the image of a slob. Masquerade “kikimors” carried items of women’s handicraft: wool, flax, a spindle, a comb. Entering the house, they pretended to be spinning threads. The concepts of forest and swamp kikimora, widespread in the 20th and early 21st centuries, are probably associated with the erosion of this image in popular beliefs. Consciousness transferred the kikimora to a space far from the human cultural environment. Kikimora as a domestic demon, the spinning goddess disappears from popular beliefs, but is actualized in the forest and swamp spirits. The word “kikimora” is firmly entrenched in the Russian vocabulary to become a household name, a curse, while the characteristic features of the character have been preserved. The masquerade tradition in the twentieth century actualized the rudimentary idea of kikimora as a spirit spinning the thread of fate. However, the fundamental features of this character were lost: from the deity of destiny, kikimora turned into a playable character in genre scenes of Christmastide andMaslenitsa masquerades.
西西伯利亚俄国人信仰与假面舞会中Кikimora形象的实现
神话人物“kikimora”被认为是西伯利亚西部俄罗斯各民族的民族志资料。Kikimora被认为是家庭空间中的一个角色,大多是恶意的,有害的,阴险的。Kikimora在纺纱。因此,她与命运的象征性化身联系在一起:一个旋转和打破生命之线的神。Kikimora体现了骗子的原型。kikimora的概念与时间的符号有关。“边界”时期尤其重要:日子的变化,从旧年到新年的过渡。因此,kikimora的假面舞会形象进入了冬春时期的历法仪式。在西伯利亚西部,直到20世纪中叶,在圣诞节和Maslenitsa(“告别冬天”)时穿着“kikimora”的传统被保留了下来。妇女们穿着破旧的衣服,脸上涂满了煤烟:她们给人一种邋遢的印象。假面舞会的“kikimors”携带着女性手工艺品:羊毛、亚麻、纺锤、梳子。进屋后,他们假装在纺线。森林和沼泽kikimora的概念在20世纪和21世纪初广泛传播,可能与这一形象在大众信仰中的侵蚀有关。意识将kikimora转移到一个远离人类文化环境的空间。Kikimora作为一个家庭恶魔,纺纱女神从大众信仰中消失,但在森林和沼泽精灵中得以实现。“kikimora”这个词在俄语词汇中根深蒂固,成为一个家喻户晓的名字,一种诅咒,而这个角色的特征却被保留了下来。20世纪的假面舞会传统实现了kikimora的基本理念,即一个灵魂在纺命运之线。然而,这个角色的基本特征丢失了:从命运之神,kikimora变成了圣诞节和maslenitsa假面舞会类型场景中的可玩角色。
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