Behold Sargon

Melissa Eppihimer
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Abstract

This chapter examines the Neo-Babylonian king Nabonidus’ discovery and restoration of an image of the Akkadian king Sargon. Nabonidus’ responses to the ancient royal image highlight the contributions of images to ancient memories of the Akkadian kings. The chapter next previews the remainder of the book, beginning with chapter 2’s historical and theoretical foundations for an analysis of the Akkadian kings’ visual legacy. The following three chapters each address one category of Akkadian art that provided post-Akkadian rulers with a visual model of Akkadian kingship: steles, statues, and cylinder seals. Chapter 3 discusses the stele of Naram-Sin, which has often been regarded as a model for later victory monuments. Chapter 4 shifts to Akkadian royal statues, noting that they have garnered less attention than the stele of Naram-Sin because of their poor preservation. Chapter 5 examines the legacy of Akkadian cylinder seals that feature the mythological contest scene.
本章考察了新巴比伦国王Nabonidus发现并修复了阿卡德国王Sargon的图像。Nabonidus对古代王室图像的回应突出了图像对阿卡德国王古代记忆的贡献。下一章预览剩下的书,从第2章的历史和理论基础的阿卡德国王的视觉遗产的分析开始。下面的三章分别讲述阿卡德艺术的一个类别,这些艺术为后阿卡德统治者提供了阿卡德王权的视觉模型:石碑、雕像和圆柱印章。第三章讨论了那兰辛的石碑,它经常被视为后来胜利纪念碑的典范。第四章转向阿卡德的皇室雕像,注意到它们由于保存不善而没有纳拉姆辛的石碑受到那么多的关注。第五章考察了阿卡德圆柱印章的遗产,这些印章以神话般的比赛场景为特色。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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