Поетичний переклад у творах «Тихих Ліриків» В. Підпалого та Д. Чередниченка

Abstract

The article reviewed the themes and leading images of the Russian (O. Pushkin, M. Lermontov, I. Bunin, A. Akhmatova, V. Khlebnikov, V. Berestov), of the Lithuanian (M. Vainilaitis, Y. Nyakroshius), of the Jewish (R. Balyasna, J. Gruber, P. Kyrychansky, M. Mohylevych), of the Gypsy (L. Manusha, O. Germano) poets, of the Czech (J. Neruda), of the Avar (R. Gamzatov), of the Armenian (G. Davtyan), of the Balkar (K. Kuliev) poets, as well as features of Slovak folklore translated by V. Pidpaly and D. Cherednychenko. The article reviewed the dominant motives of foreign writers, in the works of which were depicted love and devotion to the native people, admiration for the world of art and national identity, the beauty of natural landscapes and children’s world of fairy tales. The scientific article represented the appeal to the inner world of the lyrical hero of poets of both nations, his national self-identification, historiosophical understanding of existence in society. The focus is on the translation literary concept that evoke not only negative emotions, but also balance the inner state of the lyrical narrator, promotes his spiritual harmony. In “silent poetry”, in contrast to the literary work of the foreign writers, the literary concept of loneliness also describes the balanced inner state of the lyrical hero, his spiritual harmony. “Silent poets” were appealed to an aesthetically valuable poetic word, which reflected the ideological neutrality in the intertextual plane of the poem and focused on the inner intentions of the foreign poets, which were based primarily on his moral qualities. Given the translations of the foreign poets, the lyrics focused on primarily on the moral qualities of man, his inner development.