Disrupting the Rainbow Bridge: Dysfunctional Heterosexuality and Reinforcing Gender Difference in Marvel Adaptations

Miriam Kent
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Abstract

Taking as its subject wider issues of sexuality and Marvel women, this chapter thoroughly interrogates the role of heterosexuality in the presentation of women in Marvel films. A critique of gender representation necessarily incorporates a consideration of dominant structures of heterosexuality that are ultimately linked to gender in complex ways. This chapter questions how women in Marvel films are overwhelmingly represented as heterosexual, the role of heterosexuality within the film narratives, and how female characters are drawn into the narrative through their statuses as heterosexual women. This reliance on the heterosexual gender binary is then linked to the projection of a universal heterosexuality intertwined with the superheroic narrative. Taking the theoretical position of gender as a social construct, the chapter begins with an examination of how Marvel films take for granted the binaristic nature of gender. The reassertion of gender difference likewise ties to postfeminist culture.
破坏彩虹桥:在漫威改编中不正常的异性恋和强化性别差异
本章以更广泛的性和漫威女性问题为主题,深入探讨了异性恋在漫威电影中女性形象中的作用。对性别表现的批判必然包含对异性恋的主导结构的考虑,这些结构最终以复杂的方式与性别联系在一起。这一章探讨了漫威电影中的女性是如何以异性恋的形象出现的,异性恋在电影叙事中的作用,以及女性角色是如何通过她们作为异性恋女性的身份被吸引到叙事中的。这种对异性恋二元性别的依赖,随后与一种与超级英雄叙事交织在一起的普遍异性恋的投射联系在一起。从性别作为一种社会建构的理论立场出发,本章首先考察了漫威电影是如何理所当然地将性别的二元性视为理所当然的。性别差异的重申同样与后女权主义文化有关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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