Construcion of the Spatial Concept of Art and Culture in Keraton Kacirebonan, Indonesia

I. Agustina, A. M. Ekasari, I. Fardani, H. Hindersah
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Abstract

Art is an integral part in the spread of Islamic religion in the past. Keraton Kacirebonan as one of the three Keratons in Cirebon, was initially built with the purpose of spreading Islam in Java island. Until now, art and cultural activities remain intact in Keraton Kacirebonan. It has a studio specifically designed for this purpose namely Sanggar Tari Topeng Gaya Slangit as tari topeng or traditional mask dance itself conveys the meaning of life. The purpose of this paper is to construct the spatial concept of art and culture in Keraton Kacirebonan. The method applied in this paper is a theoretical dialogue between themes derived from inductive reasoning and viewed from the perspective of humanism and the Sundanese identity of Keraton Kacirebonan. The result of this paper deals with a local wisdom concerning values of life that need to be preserved, mainly those that are being eroded by modernity in conjunction with the globalization agenda. Keywords—art-cultural space; humanism; Keraton
印尼Keraton Kacirebonan艺术文化空间概念的建构
在过去,艺术是伊斯兰教传播中不可或缺的一部分。喀里波南角塔是喀里波南三个角塔之一,最初是为了在爪哇岛传播伊斯兰教而建造的。时至今日,喀喇顿卡西里博南的艺术和文化活动依然完好无损。它有一个专门为此目的而设计的工作室,即Sanggar Tari Topeng Gaya Slangit,因为Tari Topeng或传统的面具舞蹈本身传达了生命的意义。本文的目的是构建喀拉顿喀拉波南艺术文化的空间概念。本文采用的方法是从人文主义视角出发的归纳推理主题与喀拉顿的巽他人身份之间的理论对话。本文的结果涉及到需要保存的生活价值观的当地智慧,主要是那些正在被现代性和全球化议程所侵蚀的价值观。Keywords-art-cultural空间;人文主义;Keraton
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