Tradition and Creativity of the Rahu Symbol in Buddhist Temples: Case Study of Paintings, Sculptures and Amulets in Central and East of Thailand

Prasirt Runra, Sukanya Sujachaya
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Abstract

The objective of the study was to analyze the transmission and application of Rahu symbolism in contemporary Thai society. Data was collected from both documents and a field study in central and eastern Thailand. It was found that in traditional Thai art, the Rahu symbol is portrayed as his face swallowing the sun or the moon. This kind of Rahu symbol is found in Buddhist temples. Such appearances of the Rahu symbol are related to the belief that Rahu has a protective function. Interestingly, the sculpture of Rahu’s body rather than only his face has become popular in contemporary Thai society. Nowadays, Rahu sculptures tend to be located in specific places. A ritual of worshipping Rahu is often created with offerings of food generally of black color. In addition, the Rahu symbol is now created in several other forms such as posters, magic cloths and amulets. Such newly created art forms of Rahu are due to modern interpretations and meanings of the Rahu symbol in contemporary Thai society. These newly-developed meanings of the Rahu symbol are interesting since they can be applied to deal with people’s problems in the socio-cultural and political context of contemporary Thai society.
佛教寺庙中拉胡符号的传统与创意:以泰国中东部地区的绘画、雕塑和护身符为例
本研究的目的是分析拉胡符号在当代泰国社会中的传播和应用。数据收集自文件和在泰国中部和东部进行的实地研究。人们发现,在泰国传统艺术中,拉胡的象征被描绘成他吞下太阳或月亮的脸。这种拉胡的符号在佛教寺庙中可以找到。这种拉胡符号的出现与拉胡具有保护功能的信念有关。有趣的是,拉胡的身体而不是他的脸的雕塑在当代泰国社会中很受欢迎。如今,拉胡雕塑往往被放置在特定的地方。祭拜拉胡的仪式通常以食物为祭品,通常是黑色的。此外,拉胡符号现在以其他几种形式出现,如海报、魔法布和护身符。这种新创造的拉胡艺术形式是由于当代泰国社会对拉胡符号的现代解释和意义。拉胡符号的这些新含义很有趣,因为它们可以应用于处理当代泰国社会的社会文化和政治背景下人们的问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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